Cold War Kitchen | Americanization, Technology, and European Users

Ruth Oldenziel (u. a.)

ISBN 10: 0262516136 / ISBN 13: 9780262516136

Edité par MIT Press, 2011

A propos de cet article

Cold War Kitchen | Americanization, Technology, and European Users | Ruth Oldenziel (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2011 | MIT Press | EAN 9780262516136 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

N° de réf. du vendeur 130803831

Détails bibliographiques

• Titre: Cold War Kitchen | Americanization, Technology, and European Users
• Éditeur: MIT Press
• Date de parution: 2011
• Langue: anglais
• ISBN à 10 chiffres: 0262516136
• ISBN à 13 chiffres: 9780262516136
• Reliure: Taschenbuch
• État de l'article: Neu
• Dimensions: 229 L x 178 H x 23 P (en millimètres) 229 millimètres de largeur par 178 millimètres de hauteur par 23 millimètres de profondeur
• Poids: 725 grammes
• Catalogues du vendeur:
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A propos de ce titre

Synopsis

The kitchen as political symbol and material reality in the cold war years.

Richard Nixon and Nikita Khrushchev's famous “kitchen debate” in 1958 involved more than the virtues of American appliances. Both Nixon and Khrushchev recognized the political symbolism of the modern kitchen; the kind of technological innovation represented in this everyday context spoke to the political system that produced it. The kitchen connects the “big” politics of politicians and statesmen to the “small” politics of users and interest groups. Cold War Kitchen looks at the kitchen as material object and symbol, considering the politics and the practices of one of the most famous technological icons of the twentieth century. Defining the kitchen as a complex technological artifact as important as computers, cars, and nuclear missiles, the book examines the ways in which a range of social actors in Europe shaped the kitchen as both ideological construct and material practice. These actors—from manufacturers and modernist architects to housing reformers and feminists—constructed and domesticated the technological innovations of the postwar kitchen. The home became a “mediation junction” in which women users and others felt free to advise producers from the consumer's point of view. In essays illustrated by striking period photographs, the contributors to Cold War Kitchen consider such topics as Soviet consumers' ambivalent responses to the American dream kitchen argued over by Nixon and Khrushchev; the Frankfurter Küche, a European modernist kitchen of the interwar period (and its export to Turkey when its designer fled the Nazis); and the British state-subsidized kitchen design so innovative that it was mistaken for a luxury American product. The concluding essays challenge the received wisdom of past interpretations of the kitchen debate.

À propos de l?auteur

Ruth Oldenziel is Professor University of Technology, Eindhoven and Associate Professor, University of Amsterdam, The Netherlands

Karin Zachmann is Professor of History of Technology at the Central Institute for the History of Technology, Technical University Munich.

Ruth Oldenziel is Professor University of Technology, Eindhoven and Associate Professor, University of Amsterdam, The Netherlands

Karin Zachmann is Professor of History of Technology at the Central Institute for the History of Technology, Technical University Munich.

Karin Zachmann is Professor of History of Technology at the Central Institute for the History of Technology, Technical University Munich.

Ruth Oldenziel is Professor University of Technology, Eindhoven and Associate Professor, University of Amsterdam, The Netherlands