A Collection of Classical and Eastern Intaglios, Rings and Cameos: v.1: 967 Objects from a Private Collection Formed Between 1921 and 1970 Ranging . Archaeological Reports (BAR) International, 1136)

Claudia Wagner DPhil., John Boardman

ISBN 10: 1841715093 / ISBN 13: 9781841715094

Edité par Oxford, England : Archaeopress, Publishers of British Archaeological Reports, 2003

A propos de cet article

137 pages, 140 leaves of plates : illustrations (some color) ; 30 cm. This volume presents a selection from a large private collection of engraved gems, finger rings and cylinder seals. It was created from 1921 through the 1960s from various sources, and includes many examples from old collections that had come on to the market, notably the Evans, Southesk, and (for later gems) Poniatowski, as well as many purchased from dealers and in auctions. They are now in the possession of the collector's son, who encouraged this publication. Boardman had already published a selection, mainly of the Greek and Etruscan gems from the collection, in Intaglios and Rings (London, Thames and Hudson, 1975), and these stones have since been purchased by the J. Paul Getty Museum in Malibu (except for nos. 9, 17, 86, 149, 154, 205-208). The present selection also includes some early gems, omitted from the earlier publication for various reasons, but it is mainly devoted to the Hellenistic and Roman, as well as to a choice of the many Sasanian stones, cylinder seals, other eastern, and Neo-classical. The selection has been determined by the apparent interest of each piece for either its style or its subject, but also represents a fairly typical range of gem engraving through the Greek and Roman worlds, and outside it - including Etruscan, Greco-Persian, Syrian, Persian, Phoenician, Sasanian and the early production of cylinders in the near east. This is the type of material that was available for collectors in the first half of the last century. The catalogue takes the form of a descriptive handlist rather than a catalogue raisonné, with select comparanda, and with more attention paid to the puzzling or important pieces. Of these there are several of the highest quality, and several of exceptional archaeological or iconographic interest. The prime motive has been to make much of the collection known to scholars who might wish to take study of individual pieces further. To this end the publication of mainly unprovenanced engraved gems is of no less importance than that of unprovenanced decorated vases. This volume inaugurates the new series Studies in Gems and Jewellery.

N° de réf. du vendeur BAR1136

Détails bibliographiques

• Titre: A Collection of Classical and Eastern Intaglios, Rings and Cameos: v.1: 967 Objects from a Private Collection Formed Between 1921 and 1970 Ranging . Archaeological Reports (BAR) International, 1136)
• Éditeur: Oxford, England : Archaeopress, Publishers of British Archaeological Reports
• Date de parution: 2003
• Langue: anglais
• ISBN à 10 chiffres: 1841715093
• ISBN à 13 chiffres: 9781841715094
• Reliure: Soft cover
• État de l'article: New
• Catalogues du vendeur:
  • Archaeology

A propos de ce titre

Synopsis

This volume presents a selection from a large private collection of engraved gems, finger rings and cylinder seals. It was created from 1921 through the 1960s from various sources, and includes many examples from old collections that had come on to the market, notably the Evans, Southesk, and (for later gems) Poniatowski, as well as many purchased from dealers and in auctions. They are now in the possession of the collector's son, who encouraged this publication. Boardman had already published a selection, mainly of the Greek and Etruscan gems from the collection, in Intaglios and Rings (London, Thames and Hudson, 1975), and these stones have since been purchased by the J. Paul Getty Museum in Malibu (except for nos. 9, 17, 86, 149, 154, 205-208). The present selection also includes some early gems, omitted from the earlier publication for various reasons, but it is mainly devoted to the Hellenistic and Roman, as well as to a choice of the many Sasanian stones, cylinder seals, other eastern, and Neo-classical. The selection has been determined by the apparent interest of each piece for either its style or its subject, but also represents a fairly typical range of gem engraving through the Greek and Roman worlds, and outside it - including Etruscan, Greco-Persian, Syrian, Persian, Phoenician, Sasanian and the early production of cylinders in the near east. This is the type of material that was available for collectors in the first half of the last century. The catalogue takes the form of a descriptive handlist rather than a catalogue raisonné, with select comparanda, and with more attention paid to the puzzling or important pieces. Of these there are several of the highest quality, and several of exceptional archaeological or iconographic interest. The prime motive has been to make much of the collection known to scholars who might wish to take study of individual pieces further. To this end the publication of mainly unprovenanced engraved gems is of no less importance than that of unprovenanced decorated vases. This volume inaugurates the new series Studies in Gems and Jewellery.

À propos des auteurs

Claudia Wagner and John Boardman

Sir John Boardman is one of the foremost experts on ancient Greek art. Having served as Assistant Director of the British School at Athens between 1952 and 1955, he was Assistant Keeper at the Ashmolean Museum and later Lincoln Professor of Classical Archaeology and Art at the University of Oxford between 1978 and his retirement in 1994. His many publications include the volumes on Greek Sculpture and Athenian Black and Red Figure vases for Thames and Hudson's World of Art series. He continues his research at the Beazley Archive, concentrating on the history of gem collections.