Artist book. In the early 1990s, while a student at Glasgow�s School of Art, Jonathan Monk began working on the series �One in Ten in One.� The artist photographed the outside of a box of Ilford photographic paper (usually decorated with a classic black and white photograph) and then printed this image onto each sheet of photo paper that was in the box. At the present time there are about 16 different versions of this conceptual piece, varying in format and number of sheets, according to the various kinds of Ilford products. This volume displays for the first time the various versions of the project on 440 pages, assembled in a limited box-set edition. There are 16 versions of this conceptual work, in different format and number of sheets of paper as the various types of Ilford products. The book is contained in a original Ilford box(usually decorated with a classic black and white photograph) and then printed this image onto each sheet of photo paper that was in the box. At the present time there are about 16 different versions of this conceptual piece, varying in format and number of sheets, according to the various kinds of Ilford products. This volume displays for the first time the various versions of the project on 440 pages, assembled in a limited box-set edition. The book is contained in a original Ilford box. pp 440. 44x33,5 cm.

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D�tails bibliographiques

Titre: Complete Ilford Works
�diteur: Zurich, Christoph Keller. Editions JRP Ringier
Date de parution: 2008
Reliure: Softcover in carboardbox
�dition: First edition. 600 ex.
�tat de l'article: Very good

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The Studio Bibliografico Giorgio Maffei specialises in original texts by twentieth century visual and literary avant-garde artists. These range from the historic publications produced in the early 1900s, to the Futurist, Dadaist, Abstract and Surrealist volumes which are now considered to be classics, to the subsequent revolutionary techniques of the second half of the century. The bibliographic research already carried out by the Studio Bibliografico offers confirmation of the importance of this area and of the fact that the entire history of modern publishing continues to offer immense research potential in all areas, covering original texts, exhibition catalogues, specialist magazines and in particular artists' books, that fertile terrain which encouraged the meeting and cross- fertilisation of many different art forms.

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