Courtroom 302: A Year Behind the Scenes in an American Criminal Courthouse
Langue : anglais
Edité par Alfred A. Knopf, 2005
- Livre relié
- Occasion

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Courtroom 302 is the fascinating story of one year in Chicago's Cook County Criminal Courthouse, the busiest felony courthouse in the country. Here we see the system through the eyes of the men and women who experience it, not only in the courtroom but in the lockup, the jury room, the judge's chambers, the spectators' gallery. From the daily grind of the court to the highest-profile case of the year, Steve Bogira's masterful investigation raises fundamental issues of race, civil rights, and justice in America.
N° de réf. du vendeur CIN0679432523G
- Titre
- Courtroom 302: A Year Behind the Scenes in an American Criminal Courthouse
- Auteur
- Steve Bogira
- Éditeur
- Alfred A. Knopf
- Année de publication
- 2005
- État de l'article
- Good
- Reliure
- Hardback
- Langue
- anglais
- ISBN à 10 chiffres
- 0679432523
- ISBN à 13 chiffres
- 9780679432524
« Synopsis » peut appartenir à une autre édition de cet ouvrage.
Extrait
The prisoners being unloaded on this particular evening—January 20, 1998—are here for the usual reasons. They sold cocaine rocks on a corner, until an unmarked car screeched up out of nowhere. They tried to buy heroin from an undercover cop. They pocketed a fifth of booze at a grocery and failed to outrun the security guard. They relieved a pickup truck of its tools and a nosy neighbor called 911.
At the district station, they pulled off their belts and pulled out their laces. They emptied their pockets of combs, cigarettes, matchbooks. They pressed their fingers onto the ink pad, frowned for the camera, and joined the rest of the day’s catch in a frigid lockup. They curled up on a metal bench or a concrete floor and waited—midnight, four in the morning, noon—while computers checked their prints for outstanding warrants. They were treated to a baloney-on-white and coffee in a Styrofoam cup. Those with misdemeanor charges and no warrants were given a court date and released. The others were cuffed wrist to wrist and loaded into the large police wagon that swung by the station. The chain of prisoners in the wagon lengthened as the driver made pickups at other stations. The wagon bumped along toward the courthouse at 26th and California.
The Cook County Criminal Courthouse—the biggest and busiest felony courthouse in the nation—sits in a Mexican neighborhood on Chicago’s southwest side. It’s a boxy limestone structure, seven stories high and seven decades old, with Doric columns, Latin phrases carved into the limestone, and eight sculpted figures above the columns, representing law, justice, liberty, truth, might, love, wisdom, and peace. None of them is visible from the back of a police wagon.
A paunchy, balding white officer is behind the wheel of the first wagon to dip down a ramp and dock at the rear door this evening. He opens the wagon’s tail, and a chain of fifteen men, a dozen black and three white, winds its way out. The prisoners are rumpled and rank–the wagon-tossed, wretched refuse of a major American city, arrested on Martin Luther King Day. The driver follows the prisoners to the door, balancing over one shoulder a clear bag holding fifteen smaller clear bags that contain keys, combs, lip salve, cigarettes, lighters, beepers, eyeglasses, belts, shoelaces. In his other hand is a sheaf of arrest reports and rap sheets.
A navy-shirted sheriff ’s deputy slides open the barred door, and the prisoners file into the courthouse basement. About fifteen hundred prisoners pass through this doorway weekly on their way to a bond hearing—78,000 men and women a year accused of violating the peace and dignity of the State of Illinois.
In thirty courtrooms on floors two through seven, plea deals are fashioned and hearings and trials conducted every weekday. But for most defendants, the first glimpse of the interior of the courthouse is of this cellar.
The cellar holds several dank chambers with cinder-block walls and metal benches bolted to concrete floors. The grimy walls have been decorated here and there by deputies who had a black marker or a tube of Preparation H and time on their hands. WELCOME TO COUNTY—GET SERVED WITH A SMILE reads the script next to a horned and goateed grinning devil on a wall near the entrance. Other greetings: THIS WAY TO THE DANCE, and HEAD FIRST—HIT HERE, and YOU WON'T BE HOME FOR CHRISTMAS.
Later tonight the prisoners will be escorted through a tunnel to the quivering elevator that will carry them up to Courtroom 100 for their bond hearings. At evening’s end the lucky prisoners who can make bond or who get an “I-bond” (a no-money-down individual-recognizance bond) will walk out of the courthouse’s front door. The rest of the prisoners—about two-thirds of them, if this is a typical night—will ride the elevator back downstairs and march through a longer tunnel to jail.
“Okay, fifteen desperate criminals,” the paunchy officer tells the deputy at the entrance, one of twenty deputies working in the basement this evening. Yawning, the officer hands over the property bag and the paperwork.
The prisoners are directed to a bench in a bullpen down the hall, where they stand as they’re told—silently, backs of their legs against the edge of the bench. A second police officer is already at the door, dropping off three bleary-eyed black women. A deputy points them to a nearby bench. They step warily past Blackjack, a German shepherd, and Harley, a Rottweiler, the dogs straining toward them, tugging on the leashes gripped by two deputies.
Meanwhile a deputy in the bullpen at the end of the hall makes his way down the line of fifteen men, unlocking and collecting the handcuffs for the first wagon driver.
“When the cuffs come off, your hands go behind your back,” snaps the bull-necked, light-skinned African American deputy who’s got the paperwork now. “All right, when you hear your last name, tell me your first name. Powell.”
“Here.”
Bullneck stalks over to Powell, a frail black youth in a neon-orange windbreaker. “Is your first name Here, motherfucker?” the deputy hollers in the startled youth’s face.
The prisoners make it through the rest of roll call flawlessly, and then Bullneck directs them to sit. Another wagon arrives, and ten more disheveled males join the first fifteen in the back room. After they’re uncuffed and checked in and have taken their seats on one of the benches that line three sides of the chamber, Bullneck welcomes them all to 26th Street.
“You don’t scare me,” he tells them. “You don’t intimidate me. And you sure fucking don’t impress me.” He informs the prisoners that they’ll be going to bond court, and that after that they’ll be headed home or to jail. But there’s a third place they can end up if they don’t follow the rules here, Bullneck warns—the jail hospital.
The rules are simple and not to be questioned, he says—no food, no phone calls, no smoking. “I don’t care if you haven’t eaten all week or made a phone call all day. It’s not my problem.” And the cardinal rule: in the hallways, on the elevator, in the courtroom upstairs, a prisoner’s hands must remain behind his back. “We don’t know you. We don’t know what the fuck is on your mind. You come out with your hands swinging, you’re gonna get dropped,” Bullneck says. “If you forget every other rule I tell you, don’t forget the hands-behind-the-back rule.”
Bullneck surveys his mute, expressionless subjects.
“Does everybody understand the fucking rules?”
A handful of mumbled yessirs.
“Let me hear that again.”
“Yes sir!”
Next Bullneck announces “freebie time,” inviting the prisoners to surrender any drugs they’ve managed to retain despite earlier searches by Chicago police. Nobody gets charged for what they give up now, he promises. But those who think they can sneak something by the deputies should know that Blackjack and Harley will be along presently. And if those dogs sniff a rock, a pinch of blow, or a roach, “you’re gonna get bit, and you’re gonna get charged.” As usual, no one takes advantage of freebie time.
Now Bullneck has the men remove their coats and jackets and toss them onto the floor in the middle of the room. Four deputies wearing black gloves work through the heap of sports team jackets and Salvation Army specials, exploring pockets and kneading collars and waistbands. Meanwhile Bullneck directs the prisoners to pull off their laceless sneakers or workboots, tear out any liners, and hold the shoes upside down by the toes, arms outstretched. The men dutifully comply, and in a moment a ring of stocking-footed men are wordlessly offering up their soles to him.
“And when I tell you to, don’t bang ’em like a buncha pussies,” Bullneck says. “Bang ’em so anything inside falls out.” He studies the group; all eyes are on him.
“Now—bang ’em!”
A host of arms are immediately pumping, beating those shoes and boots together, admirably unpussylike, the stampede echoing off the walls for a quarter of a minute, until Bullneck raises a hand. Nothing but lint has fallen to the concrete.
Next he has the men peel off their socks, extend their legs in front of them, and shake their socks while wiggling their toes. A yeasty odor rises in the room.
“All right, everybody stand up!” Bullneck bellows. “Turn around, grab some wall!” The four gloved deputies commence the pat-downs. It’s not a penetrating search: anyone willing to tuck a cocaine rock up his butt will get away with it for now, but those who end up going to jail had better smoke up that rock in the jail bullpens before the strip-search there. Blackjack and Harley are mainly showpieces, Bullneck’s warning about the dogs’ impending sniff-search an empty threat. The deputies are checking for weapons now more than drugs. They don’t trust the pat-downs of Chicago’s finest; prisoners have arrived here with knives in their pockets, the deputies claim. (Chicago cops “couldn’t find their ass with both hands,” one deputy says.)
A skinny Hispanic man awaiting his search foolishly peeks over his shoulder. The boss here tonight, the white-shirted Sergeant London Thomas, who’s been watching the pat-downs from just outside the bullpen, is at the skinny man’s side in an instant. “What the fuck’re you staring at me for?...
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