The Culture of the Case | Madness, Crime, and Justice in Modern German Art

Frederic J. Schwartz

ISBN 10: 0262047705 / ISBN 13: 9780262047708

Edité par MIT Press Ltd, 2023

A propos de cet article

The Culture of the Case | Madness, Crime, and Justice in Modern German Art | Frederic J. Schwartz | Buch | Einband - fest (Hardcover) | Englisch | 2023 | MIT Press Ltd | EAN 9780262047708 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

N° de réf. du vendeur 123964525

Détails bibliographiques

• Titre: The Culture of the Case | Madness, Crime, and Justice in Modern German Art
• Éditeur: MIT Press Ltd
• Date de parution: 2023
• Langue: anglais
• ISBN à 10 chiffres: 0262047705
• ISBN à 13 chiffres: 9780262047708
• Reliure: Buch
• État de l'article: Neu
• Dimensions: 250 L x 171 H x 32 P (en millimètres) 250 millimètres de largeur par 171 millimètres de hauteur par 32 millimètres de profondeur
• Poids: 1030 grammes
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Synopsis

How artists in twentieth-century Germany adapted the idea of the medical or legal case as an artistic strategy to push to the fore sexualities, scandals, and crimes that were otherwise concealed.

In early twentieth-century Germany, the artistic avant-garde borrowed procedures from the medical and juridical realms to expose and debate matters that society preferred remain hidden and unspoken. Frederic J. Schwartz explores how the evocation or creation of a “case” provided artists with a means to engage themes that ranged from blasphemy to Lustmord, or sexual murder. Shedding light on the case as a cultural form, Schwartz shows its profound effect on artists and the ways it dovetailed with methods used by these figures to exploit fundamental changes taking place across the mass media of their time.
 
As Schwartz shows, the case was a common denominator that connected seemingly disparate works. George Grosz and Rudolf Schlichter drew on it for their violent visual art, as did architect Adolf Loos when he equated ornament with crime. Expressionists, meanwhile, approached the question of whether the so-called “mad” shared a right of public expression with those deemed sane, and examined medical and legal approaches to what society labeled as insanity. The case also took on a personal dimension when artists found themselves confronted with, or chose to engage with, the legal system. German courts prosecuted John Heartfield and others for their provocative works, while Bertolt Brecht created publicity for himself by suing the firm to whom he sold the film rights to The Threepenny Opera. Provocative and insightful, The Culture of the Case offers a privileged view of the spaces of representation in which images—in some instances, as cases—functioned at a key moment of modernity.
 

À propos de l'auteur

Frederic J. Schwartz is Emeritus Professor of History of Art at University College London. His books include The Werkbund: Design Theory and Mass Culture before the First World War and Blind Spots: Critical Theory and the History of Art in Twentieth-Century Germany.