Cut and Paste. Cet article n’est pas disponible.
30 évaluations par Goodreads
Langue : anglais
Edité par National Galleries of Scotland, 2020
- Livre broché
- Neuf

Vendeur : Brook Bookstore On Demand, Napoli, NA, ItalieBrook Bookstore On Demand
Vendeur avec une évaluation de 5 étoiles
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Livre broché
Etat: Neuf
EUR 41,60
N° de réf. du vendeur 6b289c9b4ca807a267dd461ff7480864
- Titre
- Cut and Paste
- Auteur
- Elliott, Patrick
- Éditeur
- National Galleries of Scotland
- Année de publication
- 2020
- État de l'article
- new
- Reliure
- Couverture souple
- Langue
- anglais
- ISBN à 10 chiffres
- 1911054317
- ISBN à 13 chiffres
- 9781911054313
- Poids de l'article
- 1,05 kilogramme
There are no other affordable books available on this important subject. This is the only book that looks closely at the early centuries of Collage. Collage is popular, fascinating and historically revealing. Accompanies an exhibition at the National Gallery of Modern Art in Edinburgh from June to October 2019. Collage is one of the defining subjects in Modern Art. It is as important and popular today as it has ever been. This definitive survey of collage and 3-D sculpture (made from bits and pieces stuck
« Synopsis » peut appartenir à une autre édition de cet ouvrage.
À propos de l’auteur
Patrick Elliott is Chief Curator, Modern and Contemporary Art, at the National Galleries of Scotland.
Freya Gowrley is a Post-Doctoral Fellow in History at the University of Derby. Her work examines the visual and material culture of Britain, North America and the British Empire in the eighteenth and nineteenth centuries, with a particular focus on collage and its histories.
Yuval Etgar is the Director of Research and Exhibitions at Luxembourg & Dayan, London, and a Doctoral Candidate at the Ruskin School of Art, Saint Edmund Hall, the University of Oxford. His most recent publication, The Ends of Collage (2017), is a comprehensive anthology of writings on the history and theory of collage.
Freya Gowrley is a Post-Doctoral Fellow in History at the University of Derby. Her work examines the visual and material culture of Britain, North America and the British Empire in the eighteenth and nineteenth centuries, with a particular focus on collage and its histories.
Yuval Etgar is the Director of Research and Exhibitions at Luxembourg & Dayan, London, and a Doctoral Candidate at the Ruskin School of Art, Saint Edmund Hall, the University of Oxford. His most recent publication, The Ends of Collage (2017), is a comprehensive anthology of writings on the history and theory of collage.
« A propos de ce titre » peut appartenir à une autre édition de cet ouvrage.