Synopsis
One of Daredevil's most iconic eras kicks off as he begins his relationship with the Black Widow!
Daredevil heads out to the Left Coast in a quest to earn back the love of Karen Page - and L.A. has never been stranger! A cast of bizarre and action-packed enemies stands between DD and the woman he loves! Then, back in the Big Apple, Daredevil teams up with the Black Panther and joins forces with Iron Man and Nick Fury. And one of the greatest eras in the history of the Man Without Fear begins when Daredevil and Black Widow become partners! Together, they face Spider-Man, the Sub-Mariner, the Man-Bull, the Owl, the Scorpion and more. But drama and tension are brewing... With the Black Widow in Daredevil's life, what will become of Matt Murdock's relationship with the lovely Karen Page?
COLLECTING: DAREDEVIL (1964) #64-86 and IRON MAN (1968) #35-36
À propos de l?auteur
Roy Thomas joined the Marvel Bullpen as a writer and editor under Stan Lee, scripting key runs of nearly every title of the time: Amazing Spider-Man, Avengers, Daredevil, Doctor Strange, Sub-Mariner, Thor, X-Men and more. He wrote the first 10 years of Marvel’s Conan the Barbarian and Savage Sword of Conan; and launched such series as Defenders, Iron Fist, Invaders and Warlock. At DC, he developed All-Star Squadron, Infinity Inc. and related titles, proving instrumental in reviving the Golden Age Justice Society of America. Thomas later became editor of Alter Ego, a magazine devoted to comic-book history, and co-scripted the sword-and-sorcery films Fire and Ice and Conan the Destroyer.
Guaranteed immortality for introducing Johnny Blaze, the Ghost Rider, Gary Friedrich also played a pivotal role in Marvel’s 1970s Western and war comics, penning memorable tales of Sgt. Fury and launching the Marine series Captain Savage. In addition, Friedrich wrote issues of Incredible Hulk, Captain America, Captain Marvel, Daredevil, X-Men and more. With Steve Ditko, he co-created Charlton’s Blue Beetle, now a DC character. With Len Brown, he has written a series of books on popular music.
Gerry Conway wrote Daredevil, Incredible Hulk, Iron Man and others. He was instrumental in Marvel’s 1970s horror boom with work on Man-Thing, Tomb of Dracula and Werewolf by Night. His years on Amazing Spider-Man yielded such historic highlights as the groundbreaking death of Gwen Stacy and the debut of the Punisher. He also wrote DC’s Batman, Superman, Wonder Woman and Legion of Super-Heroes. For TV, he has written and produced episodes of Diagnosis: Murder, Hercules: The Legendary Journeys, Huntress and Matlock.
Barry Windsor-Smith — best known for Marvel’s Conan and Red Sonja — also illustrated memorable Uncanny X-Men, Iron Man and Daredevil stories; he revealed Wolverine’s origin in the “Weapon X” serial. Windsor-Smith has also published several art books in the tradition of Dante Gabriel Rossetti.
The unique, shadowy style of Gene Colan (1926-2011) most memorably appeared in long stints on Captain America and Daredevil, and all 70 issues of Tomb of Dracula — among the dozens of other Marvel titles he has drawn. His DC work on Detective Comics and Night Force is equally well remembered. During the Golden Age, he drew multiple war stories for Marvel and DC alike. Colan has earned several Eagle Awards and had professional art showings in New York City. His work on Ed Brubaker’s Captain America at the age of 82 drew well-deserved raves.
An unparalleled talent, Bill Everett created Prince Namor, the Sub-Mariner, comics’ original anti-hero, whose ongoing adventures set the bar for sophisticated comic-book serials. Equally as skilled at illustrating horror and war comics, Everett continued as one of Timely’s top artists until 1957. Once the Marvel Age kicked off, Stan Lee brought Everett back into the fold to co-create Daredevil and return once more to his signature creation, the Sub-Mariner.
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