Dark Airs

Brendan Cooper

ISBN 10: 3039118617 / ISBN 13: 9783039118618

Edité par Peter Lang, Peter Lang Okt 2009, 2009

A propos de cet article

Neuware -In discussions of American poetry since World War II, the work of John Berryman has become increasingly neglected and marginalized. Critics have overwhelmingly chosen to favour the notion that he is an academic, ¿establishment¿ poet whose career can comfortably be described as a move from New Critical traditionalism towards self-absorbed confessionalism. This study shows how such a narrow understanding of Berryman¿s work is reflective of a broader critical inclination towards a codification of the literary canon as a duel between competing factions of a formalist, establishment ¿mainstream¿ and an experimentalist, countercultural ¿avant-garde¿.By examining the extent to which Berryman¿s poetry engages with the complex religiopolitical climate of Cold War American culture, this study exposes the inadequacy of the paradigm of mainstream traditionalism in relation to his work. In doing so, it opens up threads of comparative possibility between his work and that of poets ordinarily segregated from him by divisive conceptions of the literary canon. As such, this volume provides a reconsideration of Berryman¿s work that simultaneously asks broader questions about the nature of the American poetic canon and established definitions of ¿postmodern¿ poetry. 264 pp. Englisch.

N° de réf. du vendeur 9783039118618

Détails bibliographiques

• Titre: Dark Airs
• Éditeur: Peter Lang, Peter Lang Okt 2009
• Date de parution: 2009
• Langue: anglais
• ISBN à 10 chiffres: 3039118617
• ISBN à 13 chiffres: 9783039118618
• Reliure: Taschenbuch
• État de l'article: Neu
• Dimensions: 225 L x 150 H x 15 P (en millimètres) 225 millimètres de largeur par 150 millimètres de hauteur par 15 millimètres de profondeur
• Poids: 376 grammes

A propos de ce titre

Synopsis

In discussions of American poetry since World War II, the work of John Berryman has become increasingly neglected and marginalized. Critics have overwhelmingly chosen to favour the notion that he is an academic, ‘establishment' poet whose career can comfortably be described as a move from New Critical traditionalism towards self-absorbed confessionalism. This study shows how such a narrow understanding of Berryman's work is reflective of a broader critical inclination towards a codification of the literary canon as a duel between competing factions of a formalist, establishment ‘mainstream' and an experimentalist, countercultural ‘avant-garde'. By examining the extent to which Berryman's poetry engages with the complex religiopolitical climate of Cold War American culture, this study exposes the inadequacy of the paradigm of mainstream traditionalism in relation to his work. In doing so, it opens up threads of comparative possibility between his work and that of poets ordinarily segregated from him by divisive conceptions of the literary canon. As such, this volume provides a reconsideration of Berryman's work that simultaneously asks broader questions about the nature of the American poetic canon and established definitions of ‘postmodern' poetry.

À propos de l?auteur

The Author : Brendan Cooper was awarded his Ph.D. by the University of Cambridge in 2007. He has published several articles and chapters on twentieth-century American poetry, including work on Berryman, T.S. Eliot, Robert Lowell and Allen Ginsberg.