Double or Nothing : A Real Fictitious Discourse

Raymond Federman

ISBN 10: 1573660752 / ISBN 13: 9781573660754

Edité par University Of Alabama Press Apr 1999, 1999

A propos de cet article

Neuware - Double or Nothing is a concrete novel in which the words become physical materials on the page. Federman gives each of these pages a shape or structure, most often a diagram or picture. The words move, cluster, jostle, and collide in a tour de force full of puns, parodies, and imitations. Within these startling and playful structures Federman develops two characters and two narratives. These stories are simultaneous and not chronological. The first deals with the narrator and his effort to make the book itself; the second, the story the narrator intends to tell, presents a young man's arrival in America. The narrator obsesses over making his narrative to the point of not making it. All of his choices for the story are made and remade. He tallies his accounts and checks his provisions. His questioning and indecision force the reader into another radical sense of the novel. The young man, whose story is to be told, also emerges from his obsessions.

N° de réf. du vendeur 9781573660754

Détails bibliographiques

• Titre: Double or Nothing : A Real Fictitious Discourse
• Éditeur: University Of Alabama Press Apr 1999
• Date de parution: 1999
• Langue: anglais
• ISBN à 10 chiffres: 1573660752
• ISBN à 13 chiffres: 9781573660754
• Reliure: Taschenbuch
• État de l'article: Neu
• Dimensions: 229 L x 153 H x 21 P (en millimètres) 229 millimètres de largeur par 153 millimètres de hauteur par 21 millimètres de profondeur
• Poids: 517 grammes

A propos de ce titre

Synopsis

Double or Nothing is a concrete novel in which the words become physical materials on the page. Federman gives each of these pages a shape or structure, most often a diagram or picture. The words move, cluster, jostle, and collide in a tour de force full of puns, parodies, and imitations. Within these startling and playful structures Federman develops two characters and two narratives. These stories are simultaneous and not chronological. The first deals with the narrator and his effort to make the book itself; the second, the story the narrator intends to tell, presents a young man's arrival in America. The narrator obsesses over making his narrative to the point of not making it. All of his choices for the story are made and remade. He tallies his accounts and checks his provisions. His questioning and indecision force the reader into another radical sense of the novel. The young man, whose story is to be told, also emerges from his obsessions.

Madly transfixing details--noodles, toilet paper, toothpaste, a first subway ride, a sock full of dollars--become milestones in a discovery of America. These details, combined with Federman's feel for the desperation of his characters, create a book that is simultaneously hilarious and frightening. The concrete play of its language, its use of found materials, give the viewer/reader a sense of constant and strange discovery. To turn these pages is to turn the corners of a world of words as full as any novel of literary discourse ever presented. Double or Nothing challenges the way we read fiction and the way we see words, and in the process, gives us back more of our own world and our real dilemmas than we are used to getting.

Picked for American Book Review's 100 Best First Lines from Novels

À propos de l?auteur

Raymond Federman was born in 1928 in France. His novels have been translated into fourteen languages and include Smiles on Washington Square, winner of the American Book Award. He lives in San Diego.