EMBODIED VISION: INTERPRETING THE ARCHITECTURE OF FATEHPUR SIKRI. Cet article n’est pas disponible.
Langue : anglais
Edité par Niyogi Books, 2015
- Livre relié
- Neuf

Vendeur : Basi6 International, Irving, TX, Etats-UnisBasi6 International
Vendeur avec une évaluation de 5 étoiles
Vendeur AbeBooks depuis 24 juin 2016
Indisponible
Livre relié
Etat: Neuf
EUR 36,99
A propos de cet article
New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.
N° de réf. du vendeur ABEOCT25-319502
- Titre
- EMBODIED VISION: INTERPRETING THE ARCHITECTURE OF FATEHPUR SIKRI
- Auteur
- Jaimini Mehta
- Éditeur
- Niyogi Books
- Année de publication
- 2015
- État de l'article
- Brand New
- Reliure
- Couverture rigide
- Langue
- anglais
- ISBN à 10 chiffres
- 9383098481
- ISBN à 13 chiffres
- 9789383098484
Embodied Vision delves into a series of representations Fatehpur Sikri has been subjected to and concludes that its space is revealed more through perception than geometry.
« Synopsis » peut appartenir à une autre édition de cet ouvrage.
Présentation de l'éditeur
"Departing from the conventional path of describing and explaining the architecture of Fatehpur Sikri, Professor Jaimini Mehta delves into a series of representations the Mughal city has been subjected to and concludes that there is an inexorable tension at its core embodied in the constantly shifting axes, complex rhythms, raising or lowering of the ground planes, juxtapositions of mythical symbols and the conflicting pulls of traditions and human will. The space of Fatehpur Sikri is revealed to us through perception more than through geometry.Professor Mehta s unconventional interpretation of the architecture of Fatehpur Sikri emanates from his exploration of the history of architectural representation and leads him to conclude that the tools of designing, representation and analysis, i.e. various kinds of drawings, which we normally use today, did not exist in sixteenth-century India when Fatehpur Sikri was built. These drawings, which assume our mind s eye hovering above the city and taking in the whole of reality at once, have failed to represent the existential lived experience of inhabitation of architecture. "
« A propos de ce titre » peut appartenir à une autre édition de cet ouvrage.