EURIPIDES: CYCLOPS AND MAJOR FRAGMENTS OF GREEK SATYRIC DRAMA; Edited with a Translation, Introduction and Commentary

Euripides; Patrick O'Sullivan & Christopher Collard (Eds. )

ISBN 10: 1908343354 / ISBN 13: 9781908343352

Edité par Oxbow Books, 2013

A propos de cet article

Very minor shelfwear. Gift inscription to titlepage from Collard to Martin Cropp. Very minor pencilling to a couple of pages.; Satyric is the most thinly attested genre of Greek drama, but it appears to have been the oldest and according to Aristotle formative for tragedy. By the 5th Century BC at Athens it shared most of its compositional elements with tragedy, to which it became an adjunct; for at the annual great dramatic festivals, it was performed only together with, and after, the three tragedies which each poet was required to present in competition. It was in contrast with them, aesthetically and emotionally, its plays being considerably shorter and simpler; coarse and half-way to comedy, it burlesqued heroic and tragic myth, frequently that just dramatised and performed in the tragedies.Euripides'Cyclops is the only satyr-play which survives complete. It is generally held to be the poet's late work, but its companion tragedies are not identifiable. Its title alone signals its content, Odysseus' escape from the one-eyed, man-eating monster, familiar from Book 9 of Homer's Odyssey. Because of its uniqueness, Cyclops could afford only a limited idea of satyric drama's range, which the many but brief quotations from other authors and plays barely coloured. Our knowledge and appreciation of the genre have been greatly enlarged, however, by recovery since the early 20th Century of considerable fragments of Aeschylus, Euripides' predecessor, and of Sophocles, his contemporary - but not, so far, of Euripides himself.This volume provides English readers for the first time with all the most important texts of satyric drama, with facing-page translation, substantial introduction and detailed commentary. It includes not only the major papyri, but very many shorter fragments of importance, both on papyrus and in quotation, from the 5th to the 3rd Centuries; there are also one or two texts whose interest lies in their problematic ascription to the genre at all. The intention is to illustrate it as fully as practicable.; Aris & Phillips Classical Texts; 8vo 8" - 9" tall; 528 pages; Text with facing translation, commentary and notes.; Signed by Editor.

N° de réf. du vendeur 41432

Détails bibliographiques

• Titre: EURIPIDES: CYCLOPS AND MAJOR FRAGMENTS OF GREEK SATYRIC DRAMA; Edited with a Translation, Introduction and Commentary
• Éditeur: Oxbow Books
• Date de parution: 2013
• Langue: anglais
• ISBN à 10 chiffres: 1908343354
• ISBN à 13 chiffres: 9781908343352
• Reliure: Hardcover
• État de l'article: Near Fine
• État de la jaquette: No Dust Jacket
• Poids: 2,05 livres
• Catalogues du vendeur:
  • Classical Studies::Aris & Phillips Classical Texts

A propos de ce titre

Synopsis

Satyric is the most thinly attested genre of Greek drama, but it appears to have been the oldest and according to Aristotle formative for tragedy. By the 5th Century BC at Athens it shared most of its compositional elements with tragedy, to which it became an adjunct; for at the annual great dramatic festivals, it was performed only together with, and after, the three tragedies which each poet was required to present in competition. It was in contrast with them, aesthetically and emotionally, its plays being considerably shorter and simpler; coarse and half-way to comedy, it burlesqued heroic and tragic myth, frequently that just dramatised and performed in the tragedies. Euripides'Cyclops is the only satyr-play which survives complete. It is generally held to be the poet's late work, but its companion tragedies are not identifiable. Its title alone signals its content, Odysseus' escape from the one-eyed, man-eating monster, familiar from Book 9 of Homer's Odyssey. Because of its uniqueness, Cyclops could afford only a limited idea of satyric drama's range, which the many but brief quotations from other authors and plays barely coloured. Our knowledge and appreciation of the genre have been greatly enlarged, however, by recovery since the early 20th Century of considerable fragments of Aeschylus, Euripides' predecessor, and of Sophocles, his contemporary - but not, so far, of Euripides himself. This volume provides English readers for the first time with all the most important texts of satyric drama, with facing-page translation, substantial introduction and detailed commentary. It includes not only the major papyri, but very many shorter fragments of importance, both on papyrus and in quotation, from the 5th to the 3rd Centuries; there are also one or two texts whose interest lies in their problematic ascription to the genre at all. The intention is to illustrate it as fully as practicable.

À propos de l'auteur

Patrick O'Sullivan is Associate Professor of Classics at the University of Canterbury, New Zealand, and has published widely on Archaic and Classical literature, aesthetics and intellectual history.