Emily Kam Kngwarray. Cet article n’est pas disponible.
Langue : anglais
Edité par Tate, 2026
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- Neuf

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- Titre
- Emily Kam Kngwarray
- Éditeur
- Tate
- Année de publication
- 2026
- État de l'article
- New
- Reliure
- Couverture rigide
- Langue
- anglais
- ISBN à 10 chiffres
- 1849769761
- ISBN à 13 chiffres
- 9781849769761
A large scale publication accompanying a major exhibition celebrating the monumental art of Emily Kam Kngwarray.
Renowned Australian artist Emily Kam Kngwarray (1910-96) created compelling, powerful works that reflect her extraordinary life as a senior Anmatyerre woman from the Utopia region of Australia. One of the world's most significant painters to emerge in the late twentieth century, her lived experience and spiritual engagement with her homelands was translated into vibrant batiks and later into monumental paintings on canvas. Kngwarray was in her late 70s when she began painting in earnest. For the next eight years until her death, she painted over 3,000 canvases - roughly one per day - creating timeless art that encapsulates the wisdom, experience and authority she gained throughout her life.
Discover rich textiles, paintings, film and audio elements that embody the majestic scope of Kngwarray's Country and ancestral heritage. Created in collaboration with the National Gallery of Australia (NGA), this is the first large-scale presentation of the artist's work ever held in Europe and a celebration of her astonishing career as one of Australia's greatest artists. Generously illustrated, the publication brings together Kngwarray's most significant works and includes archival material and a visual record of community consultations and visits to Kngwarray's Country.
BIOGRAPHY
Kelli Cole is Director of Curatorial & Engagement, Aboriginal and Torres Strait Islander Art, at the National Gallery of Australia.
Kimberley Moulton is Adjunct Curator, Indigenous Art, at the Hyundai Tate Research Centre: Transnational.
Charmaine Toh is Senior Curator, International Art, at Tate Modern.
Featuring additional contributions from Genevieve Barton, Stephen Gilchrist, Jennifer Green, Hetti Perkins, Dylan River, Chrischona Schmidt, and Brenda Thornley.
Renowned Australian artist Emily Kam Kngwarray (1910-96) created compelling, powerful works that reflect her extraordinary life as a senior Anmatyerre woman from the Utopia region of Australia. One of the world's most significant painters to emerge in the late twentieth century, her lived experience and spiritual engagement with her homelands was translated into vibrant batiks and later into monumental paintings on canvas. Kngwarray was in her late 70s when she began painting in earnest. For the next eight years until her death, she painted over 3,000 canvases - roughly one per day - creating timeless art that encapsulates the wisdom, experience and authority she gained throughout her life.
Discover rich textiles, paintings, film and audio elements that embody the majestic scope of Kngwarray's Country and ancestral heritage. Created in collaboration with the National Gallery of Australia (NGA), this is the first large-scale presentation of the artist's work ever held in Europe and a celebration of her astonishing career as one of Australia's greatest artists. Generously illustrated, the publication brings together Kngwarray's most significant works and includes archival material and a visual record of community consultations and visits to Kngwarray's Country.
BIOGRAPHY
Kelli Cole is Director of Curatorial & Engagement, Aboriginal and Torres Strait Islander Art, at the National Gallery of Australia.
Kimberley Moulton is Adjunct Curator, Indigenous Art, at the Hyundai Tate Research Centre: Transnational.
Charmaine Toh is Senior Curator, International Art, at Tate Modern.
Featuring additional contributions from Genevieve Barton, Stephen Gilchrist, Jennifer Green, Hetti Perkins, Dylan River, Chrischona Schmidt, and Brenda Thornley.
« Synopsis » peut appartenir à une autre édition de cet ouvrage.
À propos de l’auteur
Kelli Cole is Director of Curatorial & Engagement, Aboriginal and Torres Strait Islander Art Gallery of Australia.
Hetti Perkins is an Arrernte and Kalkadoon curator, writer, advisor and presenter, with 30 years working with Aboriginal and Torres Strait Islander visual arts.
Jennifer Green is a linguist based in the School of Languages and Linguistics at the University of Melbourne and a member of the Research Unit for Indigenous Language (RUIL).
Hetti Perkins is an Arrernte and Kalkadoon curator, writer, advisor and presenter, with 30 years working with Aboriginal and Torres Strait Islander visual arts.
Jennifer Green is a linguist based in the School of Languages and Linguistics at the University of Melbourne and a member of the Research Unit for Indigenous Language (RUIL).
« A propos de ce titre » peut appartenir à une autre édition de cet ouvrage.
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