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Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_448152943
A critic takes issue with the art world's romanticizing of networks and participatory projects, linking them to the values of a globalized, neoliberal economy.
Over the past twenty years, the network has come to dominate the art world, affecting not just interaction among art professionals but the very makeup of the art object itself. The hierarchical and restrictive structure of the museum has been replaced by temporary projects scattered across the globe, staffed by free agents hired on short-term contracts, viewed by spectators defined by their predisposition to participate and make connections. In this book, Lane Relyea tries to make sense of these changes, describing a general organizational shift in the art world that affects not only material infrastructures but also conceptual categories and the construction of meaning.
Examining art practice, exhibition strategies, art criticism, and graduate education, Relyea aligns the transformation of the art world with the advent of globalization and the neoliberal economy. He analyzes the new networked, participatory art world—hailed by some as inherently democratic—in terms of the pressures of part-time temp work in a service economy, the calculated stockpiling of business contacts, and the anxious duty of being a “team player” at work. Relyea calls attention to certain networked forms of art—including relational aesthetics, multiple or fictive artist identities, and bricolaged objects—that can be seen to oppose the values of neoliberalism rather than romanticizing and idealizing them. Relyea offers a powerful answer to the claim that the interlocking functions of the network—each act of communicating, of connecting, or practice—are without political content.
À propos de l?auteur: Lane Relyea is Associate Professor and Chair of Art, Theory, and Practice at Northwestern University and the Editor-in-Chief of Art Journal. His essays and reviews have appeared in such journals as Artforum, Parkett, Frieze, Art in America, and Flash Art.
Titre : Your Everyday Art World (Mit Press)
Éditeur : Mit Pr
Date d'édition : 2013
Reliure : hardcover
Etat : Very Good
Vendeur : Bellwetherbooks, McKeesport, PA, Etats-Unis
hardcover. Etat : Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages. N° de réf. du vendeur 413164
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Vendeur : HPB-Ruby, Dallas, TX, Etats-Unis
Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_448905339
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
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Vendeur : AwesomeBooks, Wallingford, Royaume-Uni
hardcover. Etat : Very Good. Your Everyday Art World (The MIT Press) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . N° de réf. du vendeur 7719-9780262019231
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Vendeur : melbourneartbooks, Carlton, VIC, Australie
Hardcover. Etat : As New. A critic takes issue with the art world's romanticizing of networks and participatory projects, linking them to the values of a globalized, neoliberal economy. Over the past twenty years, the network has come to dominate the art world, affecting not just interaction among art professionals but the very makeup of the art object itself. The hierarchical and restrictive structure of the museum has been replaced by temporary projects scattered across the globe, staffed by free agents hired on short-term contracts, viewed by spectators defined by their predisposition to participate and make connections. In this book, Lane Relyea tries to make sense of these changes, describing a general organizational shift in the art world that affects not only material infrastructures but also conceptual categories and the construction of meaning. Examining art practice, exhibition strategies, art criticism, and graduate education, Relyea aligns the transformation of the art world with the advent of globalization and the neoliberal economy. N° de réf. du vendeur ABE-1707548493212
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Vendeur : Your Book Soon, Stroud, GLOS, Royaume-Uni
Hardcover. Etat : Very Good. Etat de la jaquette : Good. 1st Edition. xvii / 239 pp bw illustrations, blue covers bronze title to spine, orange endpapers. Minor reading wear book clean and sound, dust wrapper rubbed around the edges, some tape(?) damage. N° de réf. du vendeur 048077
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