Experiments in Listening (Performance Philosophy)
Shah, Rajni
ISBN 10: 1538144298 ISBN 13: 9781538144299
Edité par Rowman & Littlefield Publishers, 2021
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À propos de l?auteur: Rajni Shah has been an artist since 1999, working independently and collectives to create the conditions for performances, publications, conversations, and gatherings on and off-stage. Key performance works include The Awkward Position (2003-4), Mr Quiver (2005-8), small gifts (2006-8), Dinner with America (2007-9), Glorious (2010-12), Experiments in Listening (2014-15), Lying Fallow (2014-15), and Song (2016). Rajni was Honorary Research Fellow at The Centre for Contemporary Theatre, Birkbeck College (2012-2016). She completed a PhD at Lancaster University, which explored the value of listening in theatre and performance.
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Titre : Experiments in Listening (Performance ...
Éditeur : Rowman & Littlefield Publishers
Date d'édition : 2021
Reliure : Couverture souple
Etat : New
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Experiments in Listening (Performance Philosophy)
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Experiments in Listening
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Rowman & Littlefield Publishers, 2021
ISBN 10 : 1538144298
ISBN 13 : 9781538144299
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Couverture souple
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Experiments in Listening
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Bloomsbury Publishing Plc, US, 2021
ISBN 10 : 1538144298
ISBN 13 : 9781538144299
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Paperback. Etat : New. Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance. Rather than looking to the stage for a politics or ethics of performance, Rajni Shah asks what work needs to happen in order for the stage itself to appear, exploring some of the factors that might allow or prevent a group of individuals to gather together as an 'audience'. Shah proposes that the theatrical encounter is a structure that prioritises the attentive over the declarative; each of the five chapters is an exploration of this proposition. The first two chapters propose readings for the terms 'listening' and 'audience', drawing primarily on Gemma Corradi Fiumara's writing about the philosophy of listening and Stanley Cavell's writing about being-in-audience. The third chapter reflects on the work of Lying Fallow, the first of two practice elements which were part of this research, asking whether and how this project aligns with the modes of listening that Shah has proposed thus far, and introducing Eve Kosofsky Sedgwick's writing about the preposition 'beside' in relation to being-in-audience. In the fourth chapter, Shah examines the role of the invitation in setting up the parameters for being-in-audience, in relation to Sara Ahmed's writing about arrival and encounter. And in the final chapter the second practice element, Experiments in Listening, operates to expand our thinking about where and how the work of being-in-audience takes place.Blending the boundaries of theoretical, creative and practice-based artistic work, this book is accompanied by a series of five zines. These describe an embodied experience of knowledge from a personal perspective, both playfully and seriously following a line of enquiry developed in each of the chapters. N° de réf. du vendeur LU-9781538144299
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Experiments in Listening
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Rowman & Littlefield Publishers, 2021
ISBN 10 : 1538144298
ISBN 13 : 9781538144299
Neuf
Couverture souple
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Experiments in Listening (Paperback)
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Bloomsbury Publishing Plc, Lanham, MD, 2021
ISBN 10 : 1538144298
ISBN 13 : 9781538144299
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Paperback. Etat : new. Paperback. Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance. Rather than looking to the stage for a politics or ethics of performance, Rajni Shah asks what work needs to happen in order for the stage itself to appear, exploring some of the factors that might allow or prevent a group of individuals to gather together as an audience. Shah proposes that the theatrical encounter is a structure that prioritises the attentive over the declarative; each of the five chapters is an exploration of this proposition. The first two chapters propose readings for the terms listening and audience, drawing primarily on Gemma Corradi Fiumaras writing about the philosophy of listening and Stanley Cavells writing about being-in-audience. The third chapter reflects on the work of Lying Fallow, the first of two practice elements which were part of this research, asking whether and how this project aligns with the modes of listening that Shah has proposed thus far, and introducing Eve Kosofsky Sedgwicks writing about the preposition beside in relation to being-in-audience. In the fourth chapter, Shah examines the role of the invitation in setting up the parameters for being-in-audience, in relation to Sara Ahmeds writing about arrival and encounter. And in the final chapter the second practice element, Experiments in Listening, operates to expand our thinking about where and how the work of being-in-audience takes place.Blending the boundaries of theoretical, creative and practice-based artistic work, this book is accompanied by a series of five zines. These describe an embodied experience of knowledge from a personal perspective, both playfully and seriously following a line of enquiry developed in each of the chapters. Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781538144299
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Experiments in Listening
Edité par
Bloomsbury Publishing Plc, US, 2021
ISBN 10 : 1538144298
ISBN 13 : 9781538144299
Neuf
Paperback
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
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Paperback. Etat : New. Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance. Rather than looking to the stage for a politics or ethics of performance, Rajni Shah asks what work needs to happen in order for the stage itself to appear, exploring some of the factors that might allow or prevent a group of individuals to gather together as an 'audience'. Shah proposes that the theatrical encounter is a structure that prioritises the attentive over the declarative; each of the five chapters is an exploration of this proposition. The first two chapters propose readings for the terms 'listening' and 'audience', drawing primarily on Gemma Corradi Fiumara's writing about the philosophy of listening and Stanley Cavell's writing about being-in-audience. The third chapter reflects on the work of Lying Fallow, the first of two practice elements which were part of this research, asking whether and how this project aligns with the modes of listening that Shah has proposed thus far, and introducing Eve Kosofsky Sedgwick's writing about the preposition 'beside' in relation to being-in-audience. In the fourth chapter, Shah examines the role of the invitation in setting up the parameters for being-in-audience, in relation to Sara Ahmed's writing about arrival and encounter. And in the final chapter the second practice element, Experiments in Listening, operates to expand our thinking about where and how the work of being-in-audience takes place.Blending the boundaries of theoretical, creative and practice-based artistic work, this book is accompanied by a series of five zines. These describe an embodied experience of knowledge from a personal perspective, both playfully and seriously following a line of enquiry developed in each of the chapters. N° de réf. du vendeur LU-9781538144299
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Experiments in Listening (Paperback)
Edité par
Bloomsbury Publishing Plc, Lanham, MD, 2021
ISBN 10 : 1538144298
ISBN 13 : 9781538144299
Neuf
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Paperback. Etat : new. Paperback. Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance. Rather than looking to the stage for a politics or ethics of performance, Rajni Shah asks what work needs to happen in order for the stage itself to appear, exploring some of the factors that might allow or prevent a group of individuals to gather together as an audience. Shah proposes that the theatrical encounter is a structure that prioritises the attentive over the declarative; each of the five chapters is an exploration of this proposition. The first two chapters propose readings for the terms listening and audience, drawing primarily on Gemma Corradi Fiumaras writing about the philosophy of listening and Stanley Cavells writing about being-in-audience. The third chapter reflects on the work of Lying Fallow, the first of two practice elements which were part of this research, asking whether and how this project aligns with the modes of listening that I have proposed thus far, and introducing Eve Kosofsky Sedgwicks writing about the preposition beside in relation to being-in-audience. In the fourth chapter, I examine the role of invitation in setting up the parameters for being-in-audience, in relation to Sara Ahmeds writing about arrival and encounter. And in the final chapter the second practice element, Experiments in Listening, operates to expand our thinking about where and how the work of being-in-audience takes place.Blending the boundaries of theoretical, creative and practice-based artistic work, this book is accompanied by a series of five zines. These describe an embodied experience of knowledge from a personal perspective, both playfully and seriously following a line of enquiry developed in each of the chapters. Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9781538144299
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Experiments in Listening
Edité par
Bloomsbury Academic Jun 2021, 2021
ISBN 10 : 1538144298
ISBN 13 : 9781538144299
Neuf
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Taschenbuch. Etat : Neu. Neuware - Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance. N° de réf. du vendeur 9781538144299
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