Giosetta Fioroni: The 60s in Rome. Cet article n’est pas disponible.
Langue : anglais
Edité par Silvana Editoriale Okt 2018, 2018
- Livre relié
- Neuf

Vendeur : AHA-BUCH GmbH, Einbeck, AllemagneAHA-BUCH GmbH
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A propos de cet article
Neuware - This publication surveys the work of Italian painter Giosetta Fioroni (born 1932) and locates it in the context of Rome in the 1960s, where the artist found her signature style and subject matter by connecting her literary interests to the emerging Pop movement.
N° de réf. du vendeur 9788836637843
- Titre
- Giosetta Fioroni: The 60s in Rome
- Auteur
- Giosetta Fioroni
- Éditeur
- Silvana Editoriale Okt 2018
- Année de publication
- 2018
- État de l'article
- Neu
- Reliure
- Buch
- Langue
- anglais
- ISBN à 10 chiffres
- 8836637841
- ISBN à 13 chiffres
- 9788836637843
- Poids de l'article
- 2 540 grammes
- Dimensions
- 292x246x38 mm
The life, friendships, artworks of a great season of Italian art throught the creative trajectory of Giosetta Fioroni. In Rome in the 1960s, the artist finds her expressive formula by combining her literary passion with the language of painting, updating the preoccupations of informal art with th figures of the emerging Pop Art, of which she becomes one of the leading artists. The colour silver that characterise Giosetta Fioroni's paintings from that decade indeed represents the artist's unmustakeable "trademark" to the point that it overshadows the linguistic and emotional preoccupations that populate her works and personal events from before and after his happy and recognised time.
« Synopsis » peut appartenir à une autre édition de cet ouvrage.
À propos de la quatrième de couverture
The life, friendships, artworks of a great season of Italian art through the creative trajectory of Giosetta Fioroni. In Rome in the 1960s, the artist finds her expressive formula by combining her literary passion with the language of painting, updating the preoccupations of informal art with the figures of the emerging Pop Art, of which she becomes one of the leading artists. The colour silver that characterises Giosetta Fioroni’s paintings from that decade indeed represents the artist’s unmistakeable “trademark” to the point that it overshadows the linguistic and emotional preoccupations that populate her works and personal events from before and after this happy and recognised time. Edited by Marco Meneguzzo, Piero Mascitti and Elettra Bottazzi, this book conveys the complexity of an artist in the expressive richness of a time and a city so culturally stratified that they are still full of surprise for historical and critical analysis.
« A propos de ce titre » peut appartenir à une autre édition de cet ouvrage.