The Global City: On the Streets of Renaissance Lisbon

A. Jordan Gschwend and KJP Lowe

ISBN 10: 1907372881 / ISBN 13: 9781907372889

Edité par Paul Holberton, London, 2015

A propos de cet article

OUT-OF-PRINT / COLLECTOR'S EDITION

Truly splendid ? can scarcely be commended more highly. ? 16th Century Journal

Elegant, magnificently illustrated volume ? a fascinating tour of Lisbon." ? Renaissance Quarterly

Elegantly written and copiously illustrated ? a landmark in the historiography of Renaissance Lisbon." ? Journal of Jesuit Studies

In this wonderful book, Annemarie Jordan Gschwend and Kate Lowe have successfully brought back to life the disappeared world of the bustling Atlantic port-city that was Lisbon during the sixteenth century ? a real tour de force. ? Court Historian

Very well produced ? a firm step towards a new and integrated understanding of the role of trade in the early Portuguese empire, the development and the perception of its urban centres, and the social uses of foreign objects. ? European History Quarterly

Excellent and splendidly illustrated book ? impressive ? enjoyable as well as enlightening." ? History.

N° de réf. du vendeur ABE-1758021049313

Détails bibliographiques

• Titre: The Global City: On the Streets of Renaissance Lisbon
• Éditeur: Paul Holberton, London
• Date de parution: 2015
• Langue: anglais
• ISBN à 10 chiffres: 1907372881
• ISBN à 13 chiffres: 9781907372889
• Reliure: Couverture rigide
• Impression: 1er tirage
• État de l'article: Neuf
• État de la jaquette: Neuf
• Catalogues du vendeur:
  • Global Cities
  • Renaissance Lisbon
  • History of Portugal

A propos de ce titre

Synopsis

Recently identified by the editors as the Rua Nova dos Mercadores, the principal commercial and financial street in Renaissance Lisbon, two sixteenth-century paintings, acquired by Dante Gabriel Rossetti in 1866, form the starting point for this portrait of a global city in the early modern period. Focusing on unpublished objects, and incorporating newly discovered documents and inventories that allow novel interpretations of the Rua Nova and the goods for sale on it, these essays offer a compelling and original study of a metropolis whose reach once spanned four continents. The Rua Nova views painted by an anonymous Flemish artist portray an everyday scene on a recognisable street, with a diverse global population. This thoroughfare was the meeting point of all kinds of people, from rich to poor, slave to knight, indigenous Portuguese to Jews and diasporic black Africans. The volume highlights the unique status of Lisbon as an entrepôt for curiosities, luxury goods and wild animals. As the Portuguese trading empire of the fifteenth and sixteenth century expanded sea-routes and networks from West Africa to India and the Far East, non-European cargoes were brought back to Renaissance Lisbon. Many rarities were earmarked for the Portuguese court, but simultaneously exclusive items were readily available for sale on the Rua Nova, the Lisbon equivalent of Bond Street or Fifth Avenue. Specialized shops offered West African and Ceylonese ivories, raffia and Asian textiles, rock crystals, Ming porcelain, Chinese and Ryukyuan lacquerware, jewellery, precious stones, naturalia and exotic animal by-products. Lisbon was also a hub of distribution for overseas goods to other courts and cities in Europe. The cross cultural and artistic influences between Lisbon and Portuguese Africa and Asia at this date will be re-assessed. Lisbon was imagined as the head of empire or caput mundi, while the River Tagus became the aquatic gateway to a globally connected world. Lisbon evolved into a dynamic Atlantic port city, excelling in shipbuilding, cartography and the manufacture of naval instruments. The historian Damião de Góis bragged of the “Tagus reigning over the world”. Lisbon’s fame depended on its river, an aquatic avenue that competed with the Rua Nova, providing a means of interaction, trade and communication along Lisbon’s coastline. Even for the cosmopolitan Góis, who travelled extensively for the Portuguese crown, Lisbon’s chaotic docks were worth describing. Of all the European cities he experienced, only Lisbon and her rival Seville could be “rightfully called Ladies and Queens of the Sea”. Góis contended that they had opened up the early modern world through circumnavigation. Lisbon was destroyed in a devastating earthquake and tsunami in November 1755. These paintings are the only large-scale vistas of Rua Nova dos Mercadores to have survived, and together with the new objects and archival sources offer a fresh and original insight into Renaissance Lisbon and its material culture.

Biographie de l'auteur

ANNEMARIE JORDAN GSCHWEND is Research Scholar with the Centro de Historia d'Aquém e d'Além-Mar (Lisbon). Her publications include : Retrato de Corte em Portugal. O Legado de Antonio Moro (1552-1572) (Lisbon, 1994), The Story of Süleyman. Celebrity Elephants and other Exotica in Renaissance Portugal (Zurich, 2010), and Catarina de Austria. A Rainha Colecionadora (Lisbon, 2012). From 2008 to 2013 she organized the Getty Foundation research project entitled Hans Khevenhüller, Artistic Agent at the Court of Philip II of Spain, on whom she is completing a monograph. She guest-curated Elfenbeine aus Ceylon : Luxusgüter der Renaissance (Museum Rietberg, Zurich, 2010) and Echt Tierisch ! Die Menagerie des Fürsten (Schloss Ambras, Innsbruck, 2015). In 2011 she was decorated with the Order of Henry the Navigator. KATE LOWE is Professor of Renaissance History and Culture, and Co-director of the Centre for Renaissance and Early Modern Studies (CREMS), at Queen Mary University of London. She has previously taught at the universities of Hong Kong, Cambridge, Birmingham and the University of North Carolina at Chapel Hill. Her publications on Renaissance Portugal include Cultural Links between Portugal and Italy in the Renaissance (Oxford University Press, 2000) and (co-edited with T.F. Earle) Black Africans in Renaissance Europe (Cambridge University Press, 2005). The main focus of her research is fifteenth and sixteenth-century Italy, and she is the editor of the I Tatti Studies in Italian Renaissance History monograph series, published by Harvard University Press.