The God Who Is Beauty: Beauty as a Divine Name in Thomas Aquinas and Dionysius the Areopagite (Princeton Theological Monograph). Cet article n’est pas disponible.
Langue : anglais
Edité par Wipf and Stock, 2013
Série : Livre 134 sur 182 - Princeton Theological Monograph Series
- Livre relié
- Neuf

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A propos de cet article
In English.
N° de réf. du vendeur ria9781498264112_new
- Titre
- The God Who Is Beauty: Beauty as a Divine Name in Thomas Aquinas and Dionysius the Areopagite (Princeton Theological Monograph)
- Auteur
- Sammon, Brendan Thomas
- Éditeur
- Wipf and Stock
- Année de publication
- 2013
- État de l'article
- New
- Reliure
- Couverture rigide
- Langue
- anglais
- ISBN à 10 chiffres
- 1498264115
- ISBN à 13 chiffres
- 9781498264112
- Poids de l'article
- 825 grammes
- Série
- Livre 134 sur 182: Princeton Theological Monograph Series
When in the sixth century Dionysius the Areopagite declared beauty to be a name for God, he gave birth to something that had long been gestating in the womb of philosophical and theological thought. In doing so, Dionysius makes one of his most pivotal contributions to Christian theological discourse. It is a contribution that is enthusiastically received by the schoolmen of the Middle Ages, and it comes to permeate the thought of scholasticism in a multitude of ways. But perhaps nowhere is the Dionysian influence more pronounced than in the thought of Thomas Aquinas. This book examines both the historical development of beauty's appropriation as a name for God in Dionysius and Thomas, and the various contours of what it means. The argument that emerges from this study is that given the impact that the divine name theological tradition has within the development of Christian theological discourse, beauty as a divine name indicates the way in which beauty is most fundamentally conceived in the Christian theological tradition as a theological theme. As a phenomenon of inquiry, beauty proves itself to be enigmatic and elusive to even the sharpest intellects in the Greek philosophical tradition. When it is absorbed within the Christian theological synthesis, however, its enigmatic content proves to be a powerful resource for theological reasoning.
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À propos de l’auteur
Brendan Thomas Sammon received his PhD in systematic theology from The Catholic University of America and is currently an assistant professor of systematic theology at St. Joseph's University in Philadelphia, Pennsylvania. He is the author of the forthcoming Theology and Beauty: An Introduction to Theological Aesthetic.
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