The Great Poems of the Bible A
Langue : anglais
Edité par Free Press, 1999
- Livre relié
- Occasion

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N° de réf. du vendeur 00104735840
- Titre
- The Great Poems of the Bible A
- Auteur
- Kugel, James L.
- Éditeur
- Free Press
- Année de publication
- 1999
- État de l'article
- Very Good
- Reliure
- Couverture rigide
- Langue
- anglais
- ISBN à 10 chiffres
- 068485774X
- ISBN à 13 chiffres
- 9780684857749
Extrait
Psalm 104
Bless the Lord, O my soul -- O Lord my God, You are very great.
[At the creation:]
Clothed in glory and honor, You wrapped Yourself in light.
Then You put up the sky like a tent and covered it over with water.
The clouds You took as Your chariot and rode off on the wings of the wind.
The winds themselves You made messengers, and flames of fire Your servants.
Once You had set the earth on its struts, so it never would swerve or sway,
You cloaked it with water all over, water loomed over the mountains.
How they flee at Your cry, those waters, at the sound of Your thunder they jump back in terror,
running up mountains or down into valleys, to whatever place You established for them.
You drew lines for them never to cross, never again will they cover the land.
You set loose the springs that gush into rivers, cascading down between mountains,
watering all the life of the plain and slaking the animals' thirst.
Above them dwell the birds of the sky, calling out from the tops of branches.
You let water flow from Your upper abode, down the mountains to sop the earth,
Ripening grass for cattle and grains for people to harvest, bringing food from out of the dirt:
wine to gladden the hearts of men, oil to brighten their faces, and bread to fill their insides.
Let the trees of the LORD drink deep, the Lebanon cedars He planted.
This is where birds make their nest, the stork has her home in fir trees.
High mountains are for wild goats, and crags shelter the hares.
You made the moon to mark off the seasons, and You know the route of the sun.
When You bring darkness nighttime descends, and all the forest creatures come out.
Lions go roaring after their prey, seeking their food from God.
With the sun's first ray back they go, to lie down in darkened lairs.
People trudge off to work, toiling until the dusk.
How great are Your works, O LORD --
every one You made with wisdom, the world teems with what You created.
The huge, the broad-armed sea, where numberless creatures swim, tiny alongside of big --
here the ships go to and fro, and the leviathan You formed for amusement.
All of them look to You, hoping You'll give them their food in its time.
What You give them they gobble up; if You open Your hand they are fed.
But if You hide Your face, then they are dismayed.
Should You take back their spirits they perish and return to the dust of the earth.
Let loose Your spirit and their fatness comes back, the land's surface is made new again.
May the LORD'S glory endure forever, let the Lord rejoice in His creatures.
When He looks to the earth, it shudders; if He touches the mountains they smoke.
I will sing to the LORD as I live, praise my God as long as I breathe.
May my words be pleasing to Him, I truly rejoice in the LORD.
And let sinners be wiped from the land, let the wicked exist no more.
Bless the LORD, O my soul, Halleluyah.
A Place in the System
By the start of the twentieth century, the previous two hundred years' accumulating doubts about the existence of God had acquired a certain swirling momentum and had begun to look to many people -- even the religious folk of the American prairie -- like a menacing storm, a cyclone, off in the not-too-distant plain. It might seem odd to seek to identify that cyclone with another, the famous one that sent Dorothy off on her extraordinary voyage to the Land of Oz. Nevertheless, I am always struck when I read that book (or see the movie) by its undertone of theological questioning. Certainly, The Wonderful Wizard of Oz is a fable about disillusionment, about discovering that the one of whom all in the Emerald City speak in hushed tones of reverence does not exist in reality but is merely a human invention. Was it not the case that Oz's author, L. Frank Baum, had in the back of his mind another sort of disillusionment, the sort that most people at the start of the twentieth century still preferred not to talk about openly?
Dorothy and her companions -- four people in difficult straits who set out on a pilgrimage in search of a miraculous cure -- do not at first seem very different from the heroes of innumerable quest tales. Had this story followed the traditional scenario, it might indeed have been what Baum claimed it was in the preface to the first edition, a kind of non-frightening remake of the traditional fairy tale:
[T]he old-time fairy-tale, having served for generations, may now be classed as "historical" in the children's library; for the time has come for a series of newer "wonder tales" in which the stereotyped genie, dwarf and fairy are eliminated, together with all the horrible and blood-curdling incident devised by their authors to point a fearsome moral to each tale. Modern education includes morality; therefore, the modern child seeks only entertainment in its wonder-tales and gladly dispenses with all disagreeable incident. Having this thought in mind, the story of "The Wonderful Wizard of Oz" was written solely to pleasure children of today.
But what was truly different about Oz was not its avoidance of the "horrible and blood-curdling" (it is still pretty frightening to most children). Rather, it was that this was a quest tale that ends with the questers' discovery that their efforts have all been in vain. The thaumaturgical Oz, it turns out, is no supernatural manipulator of reality but merely the jerry-rigged front man for an ordinary mortal, nay, a humbug, and it is this discovery that is the central movement of the book, the conclusion of the quest itself. All is not lost, of course, after the questers find out the truth; they do eventually gain some measure of satisfaction, and Dorothy even finds her way back to Kansas. But the fundamental lesson that she and the others learn is that frauds do exist, and that most of the people can indeed be fooled -- are being fooled -- most of the time. Even the Emerald City, it turns out, was only emerald because the Wizard had rigged up little green-tinted spectacles for all the citizens to wear. "But isn't everything here green?" Dorothy asks. "No more than any other city," Oz replies. "But when you wear green spectacles, why of course everything you see looks green to you."
Oz himself is sometimes presented in ways designed to evoke the Almighty, albeit indirectly. "I am Oz, the Great and Terrible," he booms out to every visitor, and to readers of the Bible, the cadence of this greeting is unmistakable ("the great and terrible God" is virtually a biblical clich&233;, Deut. 7:21, 10:17; Dan. 9:4; Neh. 1:5, 4:8, 9:32). "Who are you," he continues, "and why do you seek me?" The word "seek" here is likewise Bible-ese and hardly standard English; indeed, now seeing Oz face to face, how could a visitor be said still to be seeking him at all? But "seek" in Oz's greeting is the English equivalent of the Hebrew baqqesh or darosh H' -- usually mistranslated in English Bibles as "seek the Lord," but clearly intended in the sense of "seek the favor of the Lord" or "make a request of the Lord" (see Isa. 51:1, 55:6; Ezek. 20:3; Amos 5:4, 6; Ps. 40:16, 69:6, 105:3-4). To this inquiry Dorothy replies with her own pseudo-biblicism, "I am Dorothy, the Small and Meek."
Toward the end of the story, after completing their mission, Dorothy and her friends return to Oz's Throne Room only to find it empty:
Presently, they heard a Voice, seeming to come from somewhere near the top of the great dome, and it said, solemnly,
"I am Oz, the Great and Terrible. Why do you seek me?"
They looked again in every part of the room, and then, seeing no one, Dorothy asked,
"Where are you?"
"I am everywhere," answered the Voice, "but to the eyes of common mortals I am invisible."
Oz's invisible omnipresence (however fleeting) is another feature he shares with Israel's Deity. So when it turns out that the Voice is merely that of "an old man with a bald head and wrinkled face," I suspect that, especially among Sunday School graduates of a century ago, there must have been more than one or two who in their hearts identified this moment with the other one alluded to earlier, that still-largely-unexpressed disillusionment waiting somewhere at the back of America's spiritual closet.
Nowadays, people are less reticent about their doubts. It would be so nice, they say, if there really were a God. But in their hearts they know that it cannot be so, no matter what they tell their children. There comes a time in every life when some little Toto will always knock over the screen of transmitted fantasy and reveal the Deity to be of altogether human manufacture.
What is surprising is not that The Wonderful Wizard of Oz, along with quite a few other books of the last few centuries, have in one way or another evoked the doubts that nag at people's faith. Rather, what is remarkable is that there is not some ancient Israelite equivalent, some text somewhere in the Hebrew Bible that, even if only as indirectly as Oz, at least raises the question of God's existence or delicately, allegorically, suggests that perhaps a great fraud is being perpetrated. But there is not. Job and Ecclesiastes question God's justice, Jeremiah may wish even to take Him to court, but His existence, it seems, was simply not open to question, not even perceived as a possible subject of discourse. The Bible does not hesitate to report blasphemous statements made about God by other nations or renegade Israelites -- to the effect that some foreign deity is more powerful than Israel's God, or that God does not see the suffering of innocent people, or that God does not punish wrongdoers, or that God has abandoned Israel -- but nowhere do these blasphemous statements ever include the simple assertion that God does not exist. Apparently, such a thought just never occurred to the blasphemers in question, nor to anyone else. On the contrary, God's being and fundamental nature seem everywhere simply to be assumed, a fact so well known as to require no further elaboration. For the same reason, it would seem, the Bible does not begin by defining God or demonstrating His presence in reality. There must have been no need.
Those who have sought to account for this state of affairs have sometimes chalked it up to a kind of intellectual inertia. People had always believed in "the gods," they say, so even after Israel had come along and replaced a plurality of deities with One, this alone did not necessitate a reexamination of the whole concept of divinity. God simply came to substitute for the gods without any more fundamental change. But such an answer hardly seems convincing. Inertia can carry the human spirit only so far; eventually, people do end up asking fundamental questions. Certainly life in the ancient world offered up its share of undeserved suffering; did not frequent droughts and famines, wars and natural disasters, as well as massive outbreaks of disease and an infant mortality rate that might have reached fifty percent -- did not such things cause people to wonder who this God might be who was solely responsible for their fate? By what standards did He judge the world? Yet even Job's wife, seeing her husband's undeserved pains, can only say to him, "Curse your God and die." Why did she not say, "It seems you were wrong about God after all. He cannot exist if all this can happen to you"? It could hardly have been inertia that prevented one hundred percent of the people from ever considering such a possibility.
Nor, for that matter, do I think it has to do with any "primitive" state of thought that is sometimes alleged to have existed at that time. Primitive thought was left behind long before the time of biblical Israel, and there really is no indication that the ancient Israelites would have had difficulty in grasping our sort of conceptualizing or abstract thinking. People sometimes say, for example, that the argument from creation was inevitably persuasive to ancient societies: since anything like the theory of evolution was inconceivable to them, the world as it exists simply had to have a Creator somewhere minding the store. But even if such an argument is correct (and I do not believe it is), it would hardly account for the biblical evidence. After all, a divine Creator could certainly have made the world and then disappeared, ceased to exist, having set in motion the autonomous forces of the universe. In fact, this idea was advanced elsewhere in the ancient world; it was just never expressed, even by the greatest blasphemers, in the Bible.
Perhaps it is most natural for us today to explain the differences between our view of things and those of earlier civilizations by saying that in premodern times people simply did not know this or that fact, that they were under this or that misapprehension, from which we have now happily freed ourselves. No doubt there is some truth in this proposition. But it seems to me we ought at least to be prepared to entertain the opposite hypothesis as well, that however much progress the intervening centuries may have brought in some domains, they have also led us to lose a way of seeing that existed in former times. By "way of seeing" I mean to suggest something more than simply another point of view; perhaps people were actually enabled by this way of seeing to observe things that we no longer observe today. It is difficult for one who reads the Bible carefully, and takes its words seriously, not to arrive at such a conclusion: something, a certain way of perceiving, has gradually closed inside of us, so that nowadays most people simply do not register, or do not have access to, what had been visible in an earlier age. What we have -- all we have -- are those texts of the Bible that bear witness to that other way of seeing (and perhaps invite us, with the use of some spiritual imagination, to try to enter into it, open our eyes, and look).
One thing that is strikingly different in the biblical way of seeing -- and it is certainly related to the matter at hand -- has to do with the whole notion of the self that is found in the Bible and the way in which that self fits into the larger world. A human being just is very small, and God, as the opening line of this psalm asserts, is "very big." In other words, it is not (or not simply) that biblical man cannot conceive of the world without God for some mechanistic reason -- because, for example, the world could not function without God. Rather it is first and foremost that he cannot conceive of himself without God, without, that is, some notion of how he and the rest of the little creatures down here fit into the much, much larger world. This is especially true of his own capacities. They extend only so far, and if he is to be able to understand anything of the world beyond them, he needs to fit himself into the world, he needs a form of reference beyond himself.
Psalm 104, like certain other psalms, is concerned essentially with this matter of fitting into the world. Characteristically, God's greatness -- the psalm's announced subject -- is not expressed in His own being. Apart from a phrase here or there ("Clothed in glory and honor, You wrapped Yourself in light."), the psalm really has nothing to sa...
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