Handke Plays: 1: Offending the Audience;My Foot My Tutor;Self Accusation;Kaspar;Lake Constance;They are

Peter Handke

ISBN 10: 0413680908 / ISBN 13: 9780413680907

Edité par Methuen, 1997

A propos de cet article

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Détails bibliographiques

• Titre: Handke Plays: 1: Offending the Audience;My Foot My Tutor;Self Accusation;Kaspar;Lake Constance;They are
• Éditeur: Methuen
• Date de parution: 1997
• Langue: anglais
• ISBN à 10 chiffres: 0413680908
• ISBN à 13 chiffres: 9780413680907
• Reliure: Paperback
• État de l'article: Good

A propos de ce titre

Synopsis

Winner of the 2019 Nobel Prize for Literature.

Peter Handke's work is amongst the most strikingly original of all post-war European writing. This collected plays volume features six plays, translated into English, from his staged work in the 1960s/70s by Michael Roloff and Karl Weber. With an introduction by Tom Kuhn and chronology of Handke's life and work, the collection also includes notes by the author on the plays themselves and a written manifesto.

Offending the Audience (1966) is described as a dissection of our expectations about what ought to happen in the theatre." It was originally conceived not as a play, but as a polemical essay about the theatre and a confrontation with each and every one of the conventions of which audiences have been accustomed to.

Self-Accusation (1968) is "a cunning and ironic attack on bureaucratic moral guilt" (Observer). Written as the first of three short plays, it is an investigation of language and the forms of theatre designed to serve as 'autonomous prologues' to the old plays - as a means to sensitise the audience and to make them aware.

Kaspar (1968) is based on the true story of Kaspar Hauser, a sixteen year old boy who appeared from nowhere in Nuremberg in 1828 and who had to be taught to speak from scratch. Handke's play is a downright attack on the way language is used by a corrupt society to depersonalise the individual.

My Foot My Tutor (1969) is a mime for two actors - "Handke has here written an hour-long play without words that may at first look like a piece of audience-provocation but that finishes up as sheer theatrical poetry" (Guardian).

The Ride Across Lake Constance (1970) follows a group of characters (known only by the names of the actors who perform the parts) who talk and play games together and skate over the thin ice that separates them from unspoken danger. "Intensely theatrical...an author for whom playwriting seems akin to tightrope walking" (The Times).

They Are Dying Out (1973) puts the pillars of the bourgeoisie under the microscope to reveal an alien race, suffocated by rationality, unable to cope with untamed subjective impulses and shows an "uncanny knack for making the familiar seem strange" (Plays and Players)."

À propos de l?auteur

Peter Handke was born in Griffen, Austria, in 1942 and studied law at the University of Graz. In 1996 his first novel was published and his first play, Offending the Audience, was staged in Frankfurt. This was seen in London in 1971 and was followed by productions of My Foot My Tutor (1971), Self Accusation, Prophecy and Calling for Help (1972), Kaspar and The Ride Across Lake Constance (1973), the latter transferring successfully to the West End, They are Dying Out (National Theatre, 1976 and The Long Way Round (National Theatre, 1989). His novels and other writings include The Goalie's Anxiety at the Penalty Kick (subsequently made into an award-winning film), Short Letter, Long Farewell and the semi-autobiographical A Sorrow Beyond Dreams, which were published in Britain in 1977; The Left-Handed Woman (1980), a novel drawn from this his film of the same title, which he directed himself; the trilogy of thematically connected novels, Slow Homecoming (1985); his novel Across (1986); Repetition (1988); Afternoon of a Writer (1989); and Absence (1990).