Harmonic Materials in Tonal Music: A Programmed Course

George C. Edwards

ISBN 10: 0205154018 / ISBN 13: 9780205154012

Edité par Prentice Hall College Div, 1994

A propos de cet article

pp. 350.

N° de réf. du vendeur 353575965

Détails bibliographiques

• Titre: Harmonic Materials in Tonal Music: A Programmed Course
• Éditeur: Prentice Hall College Div
• Date de parution: 1994
• Langue: anglais
• ISBN à 10 chiffres: 0205154018
• ISBN à 13 chiffres: 9780205154012
• Reliure: Couverture souple
• État de l'article: Used

A propos de ce titre

Synopsis

This edition covers basic harmonic vocabulary, structure of tonality, phrase structure and cadence, harmonic progression, harmonization techniques, and non-functional harmonic practices of late l9th century composers. Digitally-mastered musical examples, available on either CD or cassette, accompany each volume of the work. A wealth of these musical examples are drawn from the work of composers from the 18th through to the early 20th centuries. This edition also features expanded supplementary assignments at the end of each chapter, revised and expanded summaries, and a bibliography and orchestration chart.

Biographie de l'auteur

Dr. Paul O. Harder (1923-1986) received a Master of Music degree in Music Theory from the Eastman School of Music, University of Rochester, where he performed as oboist with the Rochester Philharmonic Orchestra. Later, as a fellowship student at the University of Iowa, he received his Ph.D. in Music Composition. He studied composition with Mlle. Nadia Boulanger at the École des Beaux Arts de Fountainbleau, France, sand at the Royal Academy of Music in Copenhagen, Denmark.

Dr. Harder held the post of Chairman of Music Theory at Michigan State University before becoming Assistant Vice President and Professor of Music at California State University, Stanislaus. He was a Professor Emeritus at Michigan State University.

In addition to approximately fifty compositions for a variety of media including orchestra, band, chorus, and chamber groups, Dr. Harder was the author of Harmonic Materials in Tonal Music, Parts I and II, through the fifth edition; Basic Materials in Music Theory, through the sixth edition; Music Manuscript Techniques, Parts I and II; and Bridge to Twentieth Century Music, through the first edition.

Dr. Greg A Steinke (b. 1942) holds a Bachelor of Music degree from Oberlin Conservatory, a Master of Music degree from Michigan State University, a Master of Fine Arts degree from the University of Iowa, and a Doctor of Philosophy degree from Michigan State University.

Dr. Steinke retired in June 2001 as Chair of the Art and Music Departments, Associate Dean for Undergraduate Studies, and holder of the Joseph Naumes Endowed Chair in Music at Marylhurst University in Oregon. Formerly, he was Dean of the College of Fine Arts and Professor of Music at Millikin University, Director of the School of Music and Professor of Music at Ball State University, Assistant Director of the School of Music at the University of Arizona, Chairman of the Music Department at San Diego State University, Director of the School of Music at the University of Idaho, Chairman of the Music Department at Linfield College, and a faculty member at Northern Arizona University, The Evergreen State College, California State University, Northridge, and the University of Maryland. Currently, he is a freelance composer, writer, oboist, and conductor. Dr. Steinke is the author of numerous articles, has done the revisions to Paul Harder's Basic Materials in Music Theory (seventh through tenth editions), Harmonic Materials in Tonal Music (sixth through ninth editions), and Bridge to Twentieth Century Music (revised edition). He holds membership in a number of professional organizations and served for nine years (three terms) 1988-97 as the President and National Chairman of the Society of Composers, Inc. Professor Steinke is active as a composer of chamber and symphonic music with a number of published works, as a speaker on interdisciplinary .arts, and as an oboe soloist specializing in contemporary music.