Identity Politics in George Lucas' Star Wars (Paperback). Cet article n’est pas disponible.
Langue : anglais
Edité par McFarland & Co Inc, Jefferson, NC, 2016
- Livre broché
- Neuf

Vendeur : AussieBookSeller, Truganina, VIC, AustralieAussieBookSeller
Vendeur AbeBooks depuis 22 juin 2007
Etat: Neuf
EUR 56,42
A propos de cet article
Paperback. George Lucas spoke about the didactic role of cinema and about his own work being presented through the "moral megaphone" of the film industry. A considerable body of scholarship on the six-part Star Wars series argues (unconvincingly) that the franchise promoted neo-conservatism in American culture from the late 1970s onward. But there is much in Lucas' grand space opera to suggest something more ideologically complex is going on. This book challenges the view of the saga as an unambiguously violent text exemplifying reactionary politics, and discusses the films' identity politics with regard to race and gender. George Lucas spoke about the didactic role of cinema and about his own work being presented through the moral megaphone of the film industry. This book challenges the view of the saga as an unambiguously violent text exemplifying reactionary politics and discusses the films' identity politics with regard to race and gender. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…
N° de réf. du vendeur 9781476662862
- Titre
- Identity Politics in George Lucas' Star Wars (Paperback)
- Auteur
- John C. McDowell
- Éditeur
- McFarland & Co Inc, Jefferson, NC
- Année de publication
- 2016
- État de l'article
- new
- Reliure
- Paperback
- Langue
- anglais
- ISBN à 10 chiffres
- 147666286X
- ISBN à 13 chiffres
- 9781476662862
George Lucas spoke about the didactic role of cinema and about his own work being presented through the "moral megaphone" of the film industry. A considerable body of scholarship on the six-part Star Wars series argues (unconvincingly) that the franchise promoted neo-conservatism in American culture from the late 1970s onward. But there is much in Lucas' grand space opera to suggest something more ideologically complex is going on. This book challenges the view of the saga as an unambiguously violent text exemplifying reactionary politics, and discusses the films' identity politics with regard to race and gender.
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