Impossible Project : The Story of Russian Ballet and Its Survival

Daria Khitrova

ISBN 10: 0197653057 / ISBN 13: 9780197653050

Edité par Oxford University Press Jul 2025, 2025

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Neuware.

N° de réf. du vendeur 9780197653050

Détails bibliographiques

• Titre: Impossible Project : The Story of Russian Ballet and Its Survival
• Éditeur: Oxford University Press Jul 2025
• Date de parution: 2025
• Langue: anglais
• ISBN à 10 chiffres: 0197653057
• ISBN à 13 chiffres: 9780197653050
• Reliure: Buch
• État de l'article: Neu
• Dimensions: 236 L x 169 H x 24 P (en millimètres) 236 millimètres de largeur par 169 millimètres de hauteur par 24 millimètres de profondeur
• Poids: 594 grammes

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Synopsis

Writing in 1829, a Russian critic referred to the art of ballet as an "impossible project"--impossible because it strives "to give an expressive language to body movements," while completely avoiding spoken dialogue. This impossibility generated an anxiety that, no less than the balletic triumphs typically addressed in historiography, has been fuelling ballet's existence to this day. Some critics of ballet, like Leo Tolstoy, were eager to see this art discontinued for good, which indeed could have happened. Impossible Project follows the ballet debates from the mid-nineteenth to mid-twentieth century, showing that it was the energy of survival, particularly felt by the French-trained ballet masters working in Russia, that turned ballet into something like a religion for its practitioners. The modernist dissent of the early twentieth century only reinforced the near-religious devotion to ballet, which was in turn carried back to the West by Russian ballet figures fleeing from the Revolution and its Soviet aftermath.

Ballet--as an art form and an artwork--has always been a corporate operation whose dynamics is impossible to describe in full from a single viewpoint. Impossible Project inspects ballet in the round and explores what its image was in the mind's eye of a hardened balletomane; a nameless corps de ballet danseuse; a politically driven administrator; or a progressive-minded journalist and writer. Author Daria Khitrova puts Russian ballet in the context of the political, religious, and aesthetic debates of its times, and examines it as a changing institution looking from both the wings and the audience.

À propos de l?auteur

Daria Khitrova is Professor of Slavic Languages and Literatures at Harvard University. She is an author of Lyric Complicity: Poetry and Readers in the Golden Age of Russian Literature (2019) and her scholarly articles range from Russian literature to film and dance history.