Jamel Shabazz: Albums. Cet article n’est pas disponible.Jamel Shabazz: Albums

Cet ouvrage réalisé avec la Gordon Parks Foundation explore une facette plus intime du travail de Jamel Shabazz. En effet, le jeune photographe du Brooklyn des années 80, auteur des séries mythiques Back in the Days puis A Time Before Crack, qui constituent une bible visuelle sur les débuts du hip hop et le street style afro-américain sur fond de tensions sociales, est aussi l'auteur d'un ensemble d'albums photos qu'il gardait pour lui. Pour ses photos du quotidien, dans les rues de la ville ou en tant que gardien de prison à Rikers Island dans les années 80, Shabazz réalisait toujours deux petits tirages : l'un qu'il donnait à son modèle, l'autre qu'il gardait pour lui, remplissant ainsi de nombreux albums qui déroulent tout le fil de sa carrière. Steidl réalise ici un important volume sur ces albums, traversés par les grandes thématiques de l'époque et du photographe.

The influential New York photographer Jamel Shabazz has created portraits of the city's communities for over 40 years. Born and raised in Brooklyn, Shabazz began photographing people he encountered on New York streets in the late 1970s, creating an archive of cultural shifts and struggles across the city. His portraits underscore the street as a space for self-presentation, whether through fashion or pose. In every instance Shabazz aims, in his words, to represent individuals and communities with "honor and dignity." This book-awarded the Gordon Parks Foundation / Steidl Book Prize-presents, for the first time, Shabazz's work from the 1970s to '90s as it exists in his archive: small prints thematically grouped and sequenced in traditional family photo albums that function as portable portfolios.
Shabazz began making portraits in the mid-1970s in Brooklyn, Queens, the West Village and Harlem. His camera was also at his side while working as an officer at Rikers Island in the 1980s, where he took portraits of inmates that he later shared with their friends and families. Shabazz had his rolls of color film processed at a one-hour photo shop that provided two copies of each print: he typically gave one to his sitters, and the second he organized into changing albums to be shown to future subjects. This book features selections from over a dozen albums, many never-before-seen, and includes his earliest photographs as well as images taken inside Rikers Island, all accompanied by essays that situate Shabazz's work within the broader history of photography.