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“Jason Moran [is] shaping up to be the most provocative thinker in current jazz.” ―Rolling Stone This is the first in-depth publication to investigate the practice of pianist, composer and visual artist Jason Moran, whose work bridges the fields of visual arts and performing arts. As a “torchbearer for jazz,” Moran challenges traditional forms of musical composition; his experimental works merge object and sound, underscoring the theatricality of both mediums. Moran―who often collaborates with prominent visual artists such Joan Jonas, Stan Douglas, Lorna Simpson and Glenn Ligon―pushes beyond the conventions of sculpture and the concert stage while continuing to embrace the essential tenets of jazz and improvisation. This volume, published in conjunction with the Walker Art Center’s 2018 exhibition, considers the artist’s practice and his collaborative works as interdisciplinary investigations that further the fields of experimental jazz and visual art. It features essays by curators, artists, musicians and art historians, plus an interview and photo essay by Moran. These are supplemented by sections documenting the creation of Moran’s mixed-media “set sculptures” including STAGED: Savoy Ballroom 1, STAGED: Three Deuces (both 2015) and STAGED: Slugs (2018). This is an essential volume for anyone interested in the intersection of contemporary art and music. Jason Moran was born in Houston, Texas, in 1975, and received a BM from the Manhattan School of Music in 1997. He joined the faculty of the New England Conservatory in 2010. In 2014, was named artistic director for jazz at the Kennedy Center in Washington, DC. He was a 2015 Grammy nominee for Best Jazz Instrumental Album for ALL RISE: A Joyful Elegy for Fats Waller, and he composed his first feature film score for Selma (2014), directed by Ava DuVernay.
À propos de l'auteur: Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
Titre : Jason Moran
Éditeur : WALKER ART CTR
Date d'édition : 2018
Reliure : Softcover
Etat : New
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M1935963171Z3
Quantité disponible : 1 disponible(s)
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK. N° de réf. du vendeur M1935963171Z4
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover without dustjacket as issued; 280 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur JaMoWa35
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In. N° de réf. du vendeur ria9781935963172_new
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Vendeur : moluna, Greven, Allemagne
Kartoniert / Broschiert. Etat : New. N° de réf. du vendeur 905862440
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur CW-9781935963172
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Vendeur : Rarewaves.com UK, London, Royaume-Uni
Paperback. Etat : New. "Jason Moran [is] shaping up to be the most provocative thinker in current jazz." -Rolling StoneThis is the first in-depth publication to investigate the practice of pianist, composer and visual artist Jason Moran, whose work bridges the fields of visual arts and performing arts. As a "torchbearer for jazz," Moran challenges traditional forms of musical composition; his experimental works merge object and sound, underscoring the theatricality of both mediums. Moran-who often collaborates with prominent visual artists such Joan Jonas, Stan Douglas, Lorna Simpson and Glenn Ligon-pushes beyond the conventions of sculpture and the concert stage while continuing to embrace the essential tenets of jazz and improvisation.This volume, published in conjunction with the Walker Art Center's 2018 exhibition, considers the artist's practice and his collaborative works as interdisciplinary investigations that further the fields of experimental jazz and visual art. It features essays by curators, artists, musicians and art historians, plus an interview and photo essay by Moran. These are supplemented by sections documenting the creation of Moran's mixed-media "set sculptures" including STAGED: Savoy Ballroom 1, STAGED: Three Deuces (both 2015) and STAGED: Slugs (2018). This is an essential volume for anyone interested in the intersection of contemporary art and music.Jason Moran was born in Houston, Texas, in 1975, and received a BM from the Manhattan School of Music in 1997. He joined the faculty of the New England Conservatory in 2010. In 2014, was named artistic director for jazz at the Kennedy Center in Washington, DC. He was a 2015 Grammy nominee for Best Jazz Instrumental Album for ALL RISE: A Joyful Elegy for Fats Waller, and he composed his first feature film score for Selma (2014), directed by Ava DuVernay. N° de réf. du vendeur LU-9781935963172
Quantité disponible : 2 disponible(s)
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. "Jason Moran [is] shaping up to be the most provocative thinker in current jazz." -Rolling StoneThis is the first in-depth publication to investigate the practice of pianist, composer and visual artist Jason Moran, whose work bridges the fields of visual arts and performing arts. As a "torchbearer for jazz," Moran challenges traditional forms of musical composition; his experimental works merge object and sound, underscoring the theatricality of both mediums. Moran-who often collaborates with prominent visual artists such Joan Jonas, Stan Douglas, Lorna Simpson and Glenn Ligon-pushes beyond the conventions of sculpture and the concert stage while continuing to embrace the essential tenets of jazz and improvisation.This volume, published in conjunction with the Walker Art Center's 2018 exhibition, considers the artist's practice and his collaborative works as interdisciplinary investigations that further the fields of experimental jazz and visual art. It features essays by curators, artists, musicians and art historians, plus an interview and photo essay by Moran. These are supplemented by sections documenting the creation of Moran's mixed-media "set sculptures" including STAGED: Savoy Ballroom 1, STAGED: Three Deuces (both 2015) and STAGED: Slugs (2018). This is an essential volume for anyone interested in the intersection of contemporary art and music.Jason Moran was born in Houston, Texas, in 1975, and received a BM from the Manhattan School of Music in 1997. He joined the faculty of the New England Conservatory in 2010. In 2014, was named artistic director for jazz at the Kennedy Center in Washington, DC. He was a 2015 Grammy nominee for Best Jazz Instrumental Album for ALL RISE: A Joyful Elegy for Fats Waller, and he composed his first feature film score for Selma (2014), directed by Ava DuVernay. N° de réf. du vendeur LU-9781935963172
Quantité disponible : 2 disponible(s)
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Taschenbuch. Etat : Neu. Neuware - 'Jason Moran [is] shaping up to be the most provocative thinker in current jazz.' --Rolling Stone. N° de réf. du vendeur 9781935963172
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