Jean Renoir: A Conversation with His Films, 1894-1979

Jean Renoir, Christopher Faulkner, Paul Duncan,

ISBN 10: 3822830976 / ISBN 13: 9783822830970

Edité par Taschen May 2007, 2007

A propos de cet article

Le ma?tre du cin?ma A director makes only one movie in his life. Then he breaks it into pieces and makes it again. ?Jean Renoir Jean Renoir (1894-1979) was, like his father Auguste, a virtuoso in his field. From early films such as La Fille de l?Eau and La Chienne through later masterpieces like Rules of the Game and The Grand Illusion (widely considered to be two of the greatest films ever made), Renoir forged a reputation as France's most important filmmaker. Highly prolific (he directed over 40 films), Renoir worked in a multitude of genres, though social realism was his most powerful mode of expression. Very nice clean, tight copy free of any marks.

N° de réf. du vendeur 294113

Détails bibliographiques

• Titre: Jean Renoir: A Conversation with His Films, 1894-1979
• Éditeur: Taschen May 2007
• Date de parution: 2007
• Langue: anglais
• ISBN à 10 chiffres: 3822830976
• ISBN à 13 chiffres: 9783822830970
• Reliure: Hardcover
• État de l'article: Used - Very Good
• Catalogues du vendeur:
  • Film - General

A propos de ce titre

Synopsis

Le ma?tre du cin?ma A director makes only one movie in his life. Then he breaks it into pieces and makes it again. ?Jean Renoir Jean Renoir (1894-1979) was, like his father Auguste, a virtuoso in his field. From early films such as La Fille de l?Eau and La Chienne through later masterpieces like Rules of the Game and The Grand Illusion (widely considered to be two of the greatest films ever made), Renoir forged a reputation as France's most important filmmaker. Highly prolific (he directed over 40 films), Renoir worked in a multitude of genres, though social realism was his most powerful mode of expression.

À propos de l?auteur

Christopher Faulkner is professor of film studies and director of the Institute for Comparative Studies in Literature, Art and Culture at Carleton University, Ottawa, Canada. He is the author of The Social Cinema of Jean Renoir and, with Olivier Curchod, of La Regle du jeu: scenario original de Jean Renoir, as well as numerous articles on Renoir and on French cinema.