Johnny Cash at Folsom & San Quentin

Marshall, Jim (PHT); Stuart, Marty (INT); Davis, Amelia (EDT); Bomar, Scott B.

ISBN 10: 1909526568 ISBN 13: 9781909526563
Edité par Reel Art Press/BMG Books, 2018
Ancien(s) ou d'occasion Couverture rigide

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Synopsis :

A powerful portrait of a legendary musician by a legendary photographer.

Carefully curated with full access to the Jim Marshall Archive, this handsome oversized volume offers the definitive view of Johnny Cash's legendary prison concerts at Folsom in 1968 and San Quentin in 1969. Cash had been interested in recording a live album at a prison since his 1955 hit, "Folsom Prison Blues." The idea was put on hold for a few years until 1968, when Cash visited one of California's oldest maximum-security prisons to record his At Folsom Prison album. Cash had known Jim Marshall since the early 1960s and personally requested him to record the prison concert. Marshall was the only official photographer present, and was granted unlimited access.

Backed by June Carter, Carl Perkins and the Tennessee Three, Cash performed two shows at Folsom. The resulting album was a hit in the United States, and reached Number One on the country charts and the top 15 of the national album chart. Its popularity revitalized Cash's career and led to a follow up album, At San Quentin, the following year. Again, Marshall was personally invited to document the concert. San Quentin became Cash's first album to hit Number One on the pop charts and both it and its predecessor remain two of the biggest selling live albums of all time. From arriving off the bus outside the imposing prison walls, to shaking hands with prisoners (including Glen Sherley, who wrote the song "Greystone Chapel" sung by Cash), and performing until sweat dripped down his forehead, Marshall captured the passion, authority and intimacy of Cash's performances. His "JC Flippin' the Bird at San Quentin Prison" has become one of the most iconic and most-copied photographs of the 20th century and came about when Marshall asked Cash to express what he thought about the prison authorities: "John, let's do a shot for the warden."

Johnny Cash was one of Jim Marshall's favorite subjects and you can see this in his Folsom and San Quentin photographs. This body of work showcases some of the most arresting photographs of the country music star ever taken.

À propos de l'auteur: Jim Marshall (1936-2010) has been called the most celebrated and prolific photographer of the twentieth century. In a career that ended with his untimely death in 2010, Marshall shot more than 500 album covers and his photographs are in private and museum collections around the world. Posthumously, Marshall holds the distinction of being the only photographer to ever be honoured with a Grammy Trustees Award for his life's work.

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Détails bibliographiques

Titre : Johnny Cash at Folsom & San Quentin
Éditeur : Reel Art Press/BMG Books
Date d'édition : 2018
Reliure : Couverture rigide
Etat : As New

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