Key Terms in Popular Music and Culture.

Horner, Bruce and Thomas Swiss (Ed.):

ISBN 10: 0631212647 / ISBN 13: 9780631212645

Edité par Oxford: Blackwell Publishers Ltd., c 1999., 1999

A propos de cet article

Large 8vo, pbk., x / 260 pp, ill. Cover perceptibly worn and battered at the edges; otherwise in good condition. 9780631212645 Mit offener Rechnung beliefern wir gerne Buchhandlungen, Bibliotheken, Antiquariate, Schulen, Galerien und Institutionen. Bei neuen uns noch unbekannten privaten Kunden erlauben wir uns die Bitte um Vorauskasse. Wir bitten um Ihr Verständnis. Sprache: Englisch Gewicht in Gramm: 500.

N° de réf. du vendeur 8806

Détails bibliographiques

• Titre: Key Terms in Popular Music and Culture.
• Éditeur: Oxford: Blackwell Publishers Ltd., c 1999.
• Date de parution: 1999
• Langue: anglais
• ISBN à 10 chiffres: 0631212647
• ISBN à 13 chiffres: 9780631212645
• Reliure: Couverture souple
• Catalogues du vendeur:
  • Musik

A propos de ce titre

Synopsis

Original essays by leading scholars in the field of popular music studies map the competing perspectives on the key terms of contemporary debates on popular music and culture. Each essay describes the history of continuities and conflicts in a term's meaning, situating the writer's own position on the term in that history of debate.

Providing a invaluable overview of the current state of popular music discourse, the collection will be useful both to those new to the study of popular music and those already well-versed in popular music and cultural studies.

À propos de l?auteur

Bruce Horner has degrees in both music and English. His essays on song criticism have appeared in such journals as Mosaic, Writing on the Edge, and the Journal of Musicology. He is Associate Professor of English at Drake University, where he teaches courses on song criticism.

Thomas Swiss has had essays published in Popular Music, Postmodern Culture, New England Review, and The New York Times Book Review. His most recent books are Rough Cut, a collection of poems (1997), and the co-edited Mapping the Beat: Popular Music and Contemporary Theory (Blackwell, 1997). He teaches courses on music and contemporary culture at Drake University, where he is Center for the Humanities Professor.