Literary Expressions of African Spirituality. Cet article n’est pas disponible.Literary Expressions of African Spirituality

With a focus on the connected spiritual legacy of the black Atlantic, Literary Expressions of African Spirituality leads the way to more comprehensive trans-geographical studies of African spirituality in black art. With essays focusing on African spirituality in creative works by several trans-Atlantic black authors across varying locations in the Ameri-Atlantic diaspora, this collection reveals and examines their shared spiritual cosmology. Diasporic in scope, Literary Expressions of African Spirituality offers new readings of black literatures through the prism of spiritual memory that survived the damaging impact of trans-Atlantic slaving. This memory is a significant thread that has often been missed in the reading and teaching of the literatures of the African diaspora. Essays in this collection explore unique black angles of seeing and ways of knowing that characterize African spiritual presence and influence in trans-Atlantic black artistic productions. Essays exploring works ranging from turn-of-the-century African American figure W.E.B. DuBois, South African novelist Zakes Mda, Haitian novelists Edwidge Danticat and Jacques Roumain, as well as African belief systems such as Voudoun and Candomble, provide a scope not yet offered in a single published volume. This collection explores the deep and often unconscious spiritual and psychosocial connectedness of people of African descent in the African and Ameri-Atlantic world.

Carol P. Marsh-Lockett is an associate professor of English at Georgia State University, where she teaches courses and pursues scholarship in African American, Caribbean, and Postcolonial Literatures. In addition to published essays and articles in these areas as well as articles on Seventeenth Century English Literature, she is the editor of Decolonising Caribbean Literature (Studies in the Literary Imagination 26.2) and Black Women Playwrights: Visions on the American Stage (Garland, 1999). She also co-edited (with

Elizabeth J. West is an associate professor of English at Georgia State University. She received her Ph.D. in English with a certificate in Women's Studies from Emory University. Her research and teaching focuses on representations of gender, race, class, and spirituality in early American and African American literary works. She has published articles in anthologies and in CLA, MELUS, JCCH, Womanist, Black Magnolias, and South Central Review. She was an invited speaker and discussant for the 2009 Summer Transnational American Studies Seminar (sponsored by the German Academic Exchange Service) at the University of Mainz (Germany). She was a 2002 AAUW Research Fellow and a ROOTS 2003 NEH Summer Seminar Participant (6/2-7/11 Virginia Foundation for the Humanities and University of Virginia). She has served as a Special Delegate for the Modern Language Association, and she is currently Assistant Treasurer for the College Language Association.

Beauty Bragg is an associate professor in the department of English and rhetoric at Georgia College and State University.

Kameelah L. Martin is associate professor of African American literature at Savannah State University.