Mark Wallinger: Credo

David Burrows; Ian Hunt

ISBN 10: 1854373250 / ISBN 13: 9781854373250

Edité par Tate Liverpool, 2000

A propos de cet article

Book is in excellent condition with creaseless covers and spine, very very light corner wear only. Binding is solid and square, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. Exhibition catalog for a show at the publisher's gallery. 128 pages with many full page color prints, essays by the above authors. Mark Wallinger came to prominence in Britain in the mid 1980s and has since earned an international reputation. He was short-listed for the Turner Prize in 1995 and recently completed a new piece of work, Ecce Homo, for the empty plinth in Trafalgar Square, London.Wallinger is one of the most consistently interesting and ambitious British artists of the last 15 years. His work utilizes anxiety, humor, and intelligence to reveal the complex sets of structures and relationships in which daily life unfolds. Wallinger's practice has developed from painting to encompass photography, video, sculpture and installation work. Employing the tools of irony and satire, Wallinger explores issues surrounding the complex themes of identity, class, race, and religion. 2.

N° de réf. du vendeur 142376

Détails bibliographiques

• Titre: Mark Wallinger: Credo
• Éditeur: Tate Liverpool
• Date de parution: 2000
• Langue: anglais
• ISBN à 10 chiffres: 1854373250
• ISBN à 13 chiffres: 9781854373250
• Reliure: Oversize Paperback
• État de l'article: Near Fine
• Poids: 2 kilogrammes
• Catalogues du vendeur:
  • Art

A propos de ce titre

Synopsis

Mark Wallinger came to prominence in Britain in the mid 1980s and has since earned an international reputation. He was short-listed for the Turner Prize in 1995 and recently completed a new piece of work, Ecce Homo, for the empty plinth in Trafalgar Square, London.Wallinger is one of the most consistently interesting and ambitious British artists of the last 15 years. His work utilizes anxiety, humor, and intelligence to reveal the complex sets of structures and relationships in which daily life unfolds. Wallinger's practice has developed from painting to encompass photography, video, sculpture and installation work. Employing the tools of irony and satire, Wallinger explores issues surrounding the complex themes of identity, class, race, and religion.