Marking Time : Performance, Archaeology and the City. Cet article n’est pas disponible.Marking Time : Performance, Archaeology and the City

Marking Time charts a genealogy of alternative practices of theatre-making since the 1960s in one particular city - Cardiff. In a series of five itineraries, it visits fifty sites where significant events occurred, setting performances within local topographical and social contexts, and in relation to a specific architecture and polity. These sites - from disused factories to scenes of crime, from auditoria to film sets - it regards as landmarks in the conception of a history of performance. It uses performance and its places as a means to reflect on the character of the city itself - its history, its fabric and make-up, its cultural ecology and its changing nature. Weaving together personal recollections, dramatic scripts, archival records and documentary photographs, it suggests a new model for studying and for making performance ... for other artistic practices ... for other cities. Marking Time is an urban companion to the rural themes and fieldwork approaches considered in 'In Comes I': Performance, Memory and Landscape (University of Exeter Press, 2006).

Mike Pearson is Leverhulme Research Fellow and Professor of Performance Studies at Aberystwyth University. He is co-author with Michal Shanks of Theatre/ Archaeology (2001) and author of 'In Comes I': Performance, Memory and Landscape (2006); Site-Specific Performance (2010); and Mickery Theater: An Imperfect Archaeology (2011). He has made theatre professionally for over forty years, notably with Brith Gof (1981-97) and Pearson/Brookes (1997-present). With Mike Brookes, he co-conceived and co-directed The Persians (2010) and Coriolanus for National Theatre Wales, the latter in collaboration with the Royal Shakespeare Company as a contribution to the World Shakespeare Festival/London 2012.