Michael Chekhov Technique in the Twenty-First Century: New Pathways. Cet article n’est pas disponible.Michael Chekhov Technique in the Twenty-First Century: New Pathways

A thorough and fascinating investigation into new uses of the Michael Chekhov technique, both within and beyond the theatre.

Cass Fleming is a lecturer in the department of Theatre and Performance at Goldsmiths, University of London, and theatre director with twenty-five years of experience in the field of embodied and devised theatre-making. She specializes in training actors, directors, devised theatre-makers and applied theatre artists, in the use of play and the related devising methodologies drawing on the practices developed by Michael Chekhov, Suzanne Bing and Joan Littlewood and has taught at various drama schools, Universities and the National Theatre Studio. Her current research explores the genealogies of hidden contributions to twentieth-century actor training and theatre-making by collaborative artists and teachers.

Tom Cornford is a senior lecturer in Theatre and Performance at The Royal Central School of Speech and Drama. His practice-led research is focused on developing histories of the creative processes of theatre-making and adapting them to contemporary contexts.