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Curatore: Rudolf Rasch. Ut Orpheus, 2024. 320pp. Brossura (copertina rigida telata) --- General Preface Chronology Abbreviations Introduction Miscellaneous Concertos Miscellaneous Sonatas Miscellaneous Variations Miscellaneous Movements Miscellaneous Keyboard Works Vocal Works Masonic Songs Plates Miscellaneous Concertos (H. 301) Concerto [1], in D minor (Select Harmony, Third Collection, 1735) (H. 301) Miscellaneous Sonatas (H. 311-317) Sonata [1] a violino solo senza basso , in B-flat major (Reconstruction) (H. 311) Sonata [2] ( Sinfonia ) for violin and figured bass, in D major (MS S-Skma) (H. 312) . Sonata [3] for violin and figured bass, in D major (Six Solos, 1730, Three Solos, c. 1778) (H. 313) Sonata [4] for violin and figured bass, in C minor (Hawkins, General History, V, 1776) (H. 314) Sonata [5] for violin and figured bass, in A major, after Corelli s Sonata Op. 5 no. IX (Hawkins, General History, V, 1776) (H. 315) Sonata [6] for violin and unfigured bass, in G minor (Three Solos, c. 1778) (H. 316) Sonata [7] for violin and unfigured bass, in D major (Three Solos, c. 1778) (H. 317) Miscellaneous Variations (H. 321-324) Variations on the Minuet in C minor for violin and figured bass (MSS GB-Ob, US-Npm) (H. 321) Variations on the Minuet in G minor for violin and unfigured bass (MSS GB-DRc, GB-NTp) (H. 322) Variations on Salley in our Alley for violin and figured bass, in D major (Second Version; MSS GB-Lfom, US-Wc) (H. 323b) Variations on Salley in our Alley for violin and figured bass, in D major (Third Version, figured bass only; MS US-NYpm) (H. 323c) Variations on the Sarabanda from Corelli s Sonata Op. 5 no. VII for violin, harpsichord, and figured bass, in D minor (MSS GB-DRc, GB-Lcm) (H. 324) Miscellaneous Movements (H. 331-333) Musette for treble and bass, in D major (The Celebrated Comic Tunes, Vol. II, 1742) (H. 331) Minuet The Tender Lover , for two violins and figured bass, in F major (Reconstruction) (H. 332) Canone [in three parts], in G major (A Collection of Marches & Airs, 1761) (H. 333) Contents Miscellaneous Keyboard Works (H. 341) [Affettuoso], for keyboard, in G minor-major (MS GB-AB) (H. 341) Vocal Works (H. 351-353) [Cantata]: «Nella stagione appunto», for soprano and figured bass (MS I-Bc) (H. 351) Aria: «Primo Cesare Ottomano», for soprano, strings, and figured bass (Musica Antiqua, 1812) (H. 352) The Sympathizing Heart : «When young Milanda s fingers move», for voice and figured bass (The British Musical Miscellany, Vol. III, 1735) (H. 353) Masonic Songs (H. 361-367) Chanson des Aprentifs : «Frères et Compagnons» (Chansons originaires, 1747, 1749) (H. 361) Chanson des Compagnons : «Art divin, l être Suprème» (Chansons originaires, 1747, 1749) (H. 362) Chanson des Surveillans : «Adam à sa postérité» (Chansons originaires, 1747, 1749) (H. 363) Chanson des Maîtres : «Tous de concert, chantons» (Chansons originaires, 1747, 1749) (H. 364) Choeur après l Ouvrage : «Buvons, buvons» (Chansons originaires, 1747, 1749) (H. 365) Chanson nouvelle sur l Ordre des Francs-maçons : «Accordés-nous de votre suffrage» (Chansons originaires, 1747, 1749) (H. 366) Apologie des Francs-Maçons : «Quoi, mes Frères, souffrirés-vous» (Chansons originaires, 1749) (H. 367) Critical Commentary Miscellaneous Concertos (H. 301) Concerto [1], in D minor (H. 301) Miscellaneous Sonatas (H. 311-317) Sonata [1] a violino solo senza basso , in B-flat major (H. 311) Sonata [2] ( Sinfonia ), for violin and figured bass, in D major (H. 322) Sonata [3] for violin and figured bass, in D major (H. 313) Sonata [4] for violin and figured bass, in C minor (H. 314) Sonata [5] for violin and figured bass, in A major, after Corelli s Sonata Op. 5 no. IX (H. 315) Sonata [6] for violin and unfigured bass, in G minor (H. 316) Sonata [7] for violin and unfigured bass, in D major (H. 317) Miscellaneous Variations (H. 321-324) Variations on the Minuet in C minor for violin and figured bass (H. 321) Variations on the Minuet in G minor.
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