The Monacelli: The CG Story, Computer Generater Animation and Special Effects

Christopher Finch

ISBN 10: 1580933572 / ISBN 13: 9781580933575

Edité par The Monacelli Press, 2013

A propos de cet article

Autor: Christopher Finch. Editorial: The Monacelli Press. Fecha Edición: 2013. ISBN: 9781580933575. Materia/s: SZ142M0MEQ. Estado: BIEN. ESTE PRODUCCTO SOLO SE ENVIA POR CORREO CERTIFICADO. Cantos de la sobrecubierta estropeados el resto esta en buen estado. Tapa dura 34x29 cm, edición en inglés, 288 páginas. Content: Prologue - vistual realities, Punch cards and paradigms, Moving out, Early days at Pixar, A species moves toward extinction, Toy Story, New Worlds, Battle of the bugs, In the Matrix, Heroes and Superheroes, Franchise and fantasies, An industry comes of age, etc.

N° de réf. du vendeur 695714

Détails bibliographiques

• Titre: The Monacelli: The CG Story, Computer Generater Animation and Special Effects
• Éditeur: The Monacelli Press
• Date de parution: 2013
• Langue: anglais
• ISBN à 10 chiffres: 1580933572
• ISBN à 13 chiffres: 9781580933575
• Reliure: Couverture rigide
• État de l'article: Aceptable
• Type de livre: Libro
• Catalogues du vendeur:
  • Libros

A propos de ce titre

Synopsis

The Art of Walt Disney author Christopher Finch tells the story of the pioneers of CG films: producer/directors like George Lucas, Steven Spielberg, and Ridley Scott; and John Lasseter and Ed Catmull, founders of Pixar. Computer generated imagery, commonly called “CG,” has had as big an impact on the movie industry as the advent of sound or color. Not only has it made possible a new kind of fully animated movie, but it also has revolutionized big-budget, live-action filmmaking. The CG Story is one of determined experimentation and brilliant innovation carried out by a group of gifted, colorful, and competitive young men and women, many of whom would become legendary in the digital world. George Lucas, Steven Spielberg, and Ridley Scott embraced the computer to create believable fantasy worlds of a richness that had seldom if ever been realized on screen. Their early efforts helped inspire a revolution in animation, enabled by technical wizardry and led by the founders of Pixar, including John Lasseter and Ed Catmull, who would create the entirely computer-produced worlds of Toy Story and subsequent Pixar films. Meanwhile, directors like James Cameron used the new technology to make hybrid live-action and CG films, including the extraordinary Avatar. Finch covers these and more, giving a full account of today’s most significant CG films.

À propos de l?auteur

Christopher Finch, an artist and the author of acclaimed books on popular culture and fine art, lives in southern California. Finch was born on the island of Guernsey, in the English Channel. In the 1960s, after studying painting at Chelsea Art School in London, he began to write about the contemporary art scene for magazines ranging from Art & Artists and Art International to the British edition of Vogue. In 1968, he became an associate curator at the Walker Art Center in Minneapolis, and in the 1970s he resumed his writing career. He is the author of many books, including The Art of Walt Disney: From Mickey Mouse to the Magic Kingdoms and Beyond; Chuck Close: Work and Chuck Close: Life; Jim Henson: The Works; and Norman Rockwell’s America.