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The Mudd Cub was a loud, dirty dream with a radical aesthetic born of punk, and the celebrityèinfused performance art and East Village art scene. There was nothing like it before or since, and author Richard Boch, who was its doorman during much of its four and a half year run, saw and experiences much of it.
À propos de l'auteur: <div>Richard Boch is an artist, writer and lifelong New Yorker. He was born in Brooklyn, grew up on Long Island and studied printmaking and painting at The University of Connecticut and the Parsons New School for Design.<BR><BR>In 2016 Boch narrated a slide presentation at HOWL Projects related to the New York club scene. Recent exhibitions of his work include a group show at McDaris Fine Art, a suite of multimedia prints titled <I>A Throwback Thrown Forward</I>, and a series of “Page Paintings” as part of No Wave Heroes. He was interviewed and quoted at length for <I>High On Rebellion, the story of Max’s Kansas City by Yvonne Sewall Ruskin, New York in The 70s</I> by Allan Tannenbaum, <I>Edgewise: A Picture of Cookie Mueller by Chloe´ Griffin, Born This Way, the story of Gia Carrangi</I> by Sacha Lanvin Baumann and <I>Life and Death on the New York Dance Floor</I> by Tim Lawrence. In addition Boch is currently editing Bobby Grossman’s <I>Low Fidelity: Still Photographs 1975 - 1983</I> and recently contributed a sidebar to Tannenbaum’s <I>Grit and Glamour.</I> In November 2015 he served on the host committee of the Mudd Club Rummage Sale Benefitting the Bowery Mission, the first Mudd-related event in over thirty years. <I>The New York Times</I> referred to Boch as making “live or die decisions” as the club's “longtime alpha doorman.”</div>
Titre : The Mudd Club
Éditeur : Feral House
Date d'édition : 2017
Reliure : Couverture souple
Etat : very_good