Music, Print and Culture in Early Sixteenth Century Italy: Vol 10 (Panizzi Lectures)

Langue : anglais

Edité par The British Library Publishing Division, UK, 1995

0712304126 / 9780712304122

Vendeur : Turtle Creek Books and Sheet Music, Mississauga, ON, CanadaTurtle Creek Books and Sheet Music

Vendeur avec une évaluation de 5 étoiles

Vendeur AbeBooks depuis 9 août 2002

Livre broché

Etat: Occasion - Comme neuf

EUR 16,47

EUR 9,82 expédition 
Expédition depuis Canada vers Etats-Unis

Quantité disponible : 1 disponible

Ajouter au panier
Retours gratuits sous 30 jours

A propos de cet article

A lovely clean fresh copy that APPEARS NEW AND UNREAD! Iain Fenlon is a British musicologist and cultural historian whose scholarly work has focused extensively on music in Renaissance Italy, bringing to this field a combination of deep archival research, broad cultural historical awareness, and an ability to situate musical culture within its wider social, political, and intellectual contexts. He has been associated with the University of Cambridge and has established himself as one of the leading authorities on Italian Renaissance music and its relationship to the broader cultural life of the period, producing a body of scholarship that has been influential in shaping how musicologists and historians understand the role of music in early modern Italian society. Music Print and Culture in Early Sixteenth Century Italy derives from the Panizzi Lectures, a prestigious series delivered at the British Library in London that invites distinguished scholars to present original research on subjects related to the history of the book, manuscript culture, and the broader history of written and printed communication. The lecture series is named in honor of Antonio Panizzi, the nineteenth century librarian and scholar who played a transformative role in developing the collections and intellectual resources of the British Museum Library, and the association with this legacy gives the lectures and their published versions a particular connection to the history of the book and the material culture of textual and musical transmission. The subject of the lectures and resulting publication sits at the intersection of musicology, book history, and Renaissance cultural history, examining how the development of music printing in early sixteenth century Italy transformed the production, distribution, and consumption of musical culture during one of the most dynamic and consequential periods in the history of Western music. The early sixteenth century was a period of extraordinary musical creativity and cultural vitality in Italy, encompassing the flowering of the frottola and madrigal traditions, the activity of major composers working at the courts and chapels of the Italian states, and the emergence of Venice as the dominant center of music printing in Europe. The development of music printing technology and the commercial music publishing industry in Venice, associated above all with the pioneering work of Ottaviano Petrucci who produced the first printed polyphonic music books in the first decade of the sixteenth century, represents a transformation in musical culture of fundamental importance, making musical works available in multiple identical copies to a wider audience than manuscript transmission could ever have reached and creating new commercial and cultural relationships between composers, publishers, patrons, and the consuming public for printed music. Fenlon examines how print culture shaped and was shaped by the broader musical and intellectual life of the period, addressing questions about patronage, the social circulation of musical repertoire, the relationship between printed and manuscript sources, and the ways in which the materiality of the printed music book itself carried cultural meaning and reflected the values and aspirations of those who produced and consumed it. The analytical framework draws on both musicological expertise and the methods of book history and material culture studies, reflecting the genuinely interdisciplinary character of the subject and the breadth of Fenlon's scholarly formation and interests. The Panizzi Lectures format, which typically results in a relatively compact published volume derived from a series of public lectures rather than an exhaustive monograph, gives the published work a focused and essayistic quality that makes it accessible to readers beyond the immediate specialist audience while still engaging seriously with the scholarly questions at its heart.…

N° de réf. du vendeur 1013792

Titre
Music, Print and Culture in Early Sixteenth Century Italy: Vol 10 (Panizzi Lectures)
Auteur
Fenlon, Iain
Éditeur
The British Library Publishing Division, UK
Année de publication
1995
État de l'article
As New
Reliure
Soft cover
Langue
anglais
ISBN à 10 chiffres
0712304126
ISBN à 13 chiffres
9780712304122
Catalogues du vendeur
.History - European History, .Music

Turtle Creek Books and Sheet Music

Mississauga, ON, Canada

Vendeur avec une évaluation de 5 étoiles

Vendeur AbeBooks depuis 9 août 2002

Frais d'expédition de Canada vers Etats-Unis

Article7 à 15 jours ouvrés2 à 10 jours ouvrés
Premier articleEUR 9,82EUR 24,09
Les délais de livraison sont fixés par les vendeurs et varient en fonction du transporteur et du lieu. Les commandes transitant par les douanes peuvent être retardées et les acheteurs sont responsables de tous les droits ou frais associés. Les vendeurs peuvent vous contacter au sujet de frais supplémentaires afin de couvrir toute augmentation des coûts d'expédition de vos articles.

Modes de paiement

  • Visa
  • Mastercard
  • American Express
  • Carte Bleue
  • Apple Pay
  • Google Pay

Description de la boutique

Please call for an appointment, thank you

Spécialité

Collectible Books, Antiquarian Books, Books for Investment, Hard to find editions

Profil professionnel du vendeur

Turtle Creek Books and Sheet Music

ON, Canada