Music continues to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship between music and theatre. The theoretical scope of the book is developed from a wide range of case studies, some of which are re-readings of the classics of theatre history (Appia, Meyerhold, Artaud, Beckett), while others introduce or rediscover less-discussed practitioners such as Joe Chaikin, Thomas Bernhard, Elfriede Jelinek, Michael Thalheimer and Karin Beier.
David Roesner is a Professor at Ludwig-Maximilians-Universitãt, Munich, and co-director of the European Theatre Research Network. In 2007 he won the Thurnau Award for Music-Theatre Studies for his article 'The politics of the polyphony of performance'. Recent publications include Theatre Noise (with Lynne Kendrick, 2011) and Composed Theatre (with Matthias Rebstock, 2012).