Vendeur
Kennys Bookstore, Olney, MD, Etats-Unis
Évaluation du vendeur 4 sur 5 étoiles
Vendeur AbeBooks depuis 9 octobre 2009
Series: Reading Women Writing. Num Pages: 200 pages, black & white illustrations. BIC Classification: 2AB; DSBD; DSK; JFSJ. Category: (G) General (US: Trade). Dimension: 152 x 229 x 11. Weight in Grams: 200. . 1991. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780801497704
Many of the earliest canonical novels--including Defoe's Moll Flanders and Roxana and Richardson's Pamela and Clarissa--were written by men who assumed the first-person narrative voice of women. What does it mean for a man to write his "autobiography" as if he were a woman? What did early novelists have to gain from it, in a period when woman's realm was devalued and woman's voice rarely heard in public? How does the male author behind the voice reveal himself to readers, and how do our glimpses of him affect our experience of the novel? Does it matter if the woman he has created is believable as a woman? Why does "she" inevitably rail against the perfidy of men?
Kahn maintains that the answers to such questions lie in the nature of "narrative transvestism" -her term for the device through which a male author directs the reader's interpretation by temporarily abandoning himself to a culturally defined female voice and sensibility and then reasserting his male voice.
In her innovative readings of key eighteenth-century English novels, Kahn draws upon a range of contemporary critical approaches. Lucid and witty, Narrative Transvestism will serve as a model of analysis for readers interested in issues of gender in narrative, including feminist theorists, students and scholars of the eighteenth-century novel, and critics interested in the applications of psychoanalysis to literature.
À propos de l?auteur: Madeleine Kahn is Assistant Professor of English at Mills College.
Titre : Narrative Transvestism: Rhetoric and Gender ...
Éditeur : Cornell University Press
Date d'édition : 1991
Reliure : Couverture souple
Etat : New
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Very Good. Price-clipped end paper Very Good paperback with light shelfwear - NICE! Standard-sized. N° de réf. du vendeur mon0000051166
Quantité disponible : 1 disponible(s)
Vendeur : Ammareal, Morangis, France
Softcover. Etat : Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. N° de réf. du vendeur F-420-424
Quantité disponible : 1 disponible(s)
Vendeur : Asano Bookshop, Nagoya, AICHI, Japon
Etat : Very Good. Paperback, very good condition, a few light spots on edges of pages, slight shelf wear. N° de réf. du vendeur 80589
Quantité disponible : 1 disponible(s)
Vendeur : Eve's Book Garden, Albany, CA, Etats-Unis
Soft cover. Etat : Fine. Clean & tight in bright covers. N° de réf. du vendeur 045109
Quantité disponible : 1 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 1st edition. 200 pages. 9.00x6.00x0.75 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __0801497701
Quantité disponible : 2 disponible(s)
Vendeur : moluna, Greven, Allemagne
Etat : New. KlappentextrnrnMany of the earliest canonical novels including Defoe s Moll Flanders and Roxana and Richardson s Pamela and Clarissa were written by men who assumed the first-person narrative voice of women. What does it mean for a man to write . N° de réf. du vendeur 898716956
Quantité disponible : 2 disponible(s)
Vendeur : Rarewaves.com UK, London, Royaume-Uni
Paperback. Etat : New. Many of the earliest canonical novels-including Defoe's Moll Flanders and Roxana and Richardson's Pamela and Clarissa-were written by men who assumed the first-person narrative voice of women. What does it mean for a man to write his "autobiography" as if he were a woman? What did early novelists have to gain from it, in a period when woman's realm was devalued and woman's voice rarely heard in public? How does the male author behind the voice reveal himself to readers, and how do our glimpses of him affect our experience of the novel? Does it matter if the woman he has created is believable as a woman? Why does "she" inevitably rail against the perfidy of men? Kahn maintains that the answers to such questions lie in the nature of "narrative transvestism" -her term for the device through which a male author directs the reader's interpretation by temporarily abandoning himself to a culturally defined female voice and sensibility and then reasserting his male voice. In her innovative readings of key eighteenth-century English novels, Kahn draws upon a range of contemporary critical approaches. Lucid and witty, Narrative Transvestism will serve as a model of analysis for readers interested in issues of gender in narrative, including feminist theorists, students and scholars of the eighteenth-century novel, and critics interested in the applications of psychoanalysis to literature. N° de réf. du vendeur LU-9780801497704
Quantité disponible : 1 disponible(s)
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days. N° de réf. du vendeur B9780801497704
Quantité disponible : 2 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FW-9780801497704
Quantité disponible : 2 disponible(s)
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Many of the earliest canonical novels-including Defoe's Moll Flanders and Roxana and Richardson's Pamela and Clarissa-were written by men who assumed the first-person narrative voice of women. What does it mean for a man to write his "autobiography" as if he were a woman? What did early novelists have to gain from it, in a period when woman's realm was devalued and woman's voice rarely heard in public? How does the male author behind the voice reveal himself to readers, and how do our glimpses of him affect our experience of the novel? Does it matter if the woman he has created is believable as a woman? Why does "she" inevitably rail against the perfidy of men? Kahn maintains that the answers to such questions lie in the nature of "narrative transvestism" -her term for the device through which a male author directs the reader's interpretation by temporarily abandoning himself to a culturally defined female voice and sensibility and then reasserting his male voice. In her innovative readings of key eighteenth-century English novels, Kahn draws upon a range of contemporary critical approaches. Lucid and witty, Narrative Transvestism will serve as a model of analysis for readers interested in issues of gender in narrative, including feminist theorists, students and scholars of the eighteenth-century novel, and critics interested in the applications of psychoanalysis to literature. N° de réf. du vendeur LU-9780801497704
Quantité disponible : 1 disponible(s)