Networked Art

Craig J. Saper

ISBN 10: 0816637075 / ISBN 13: 9780816637072

Edité par University Of Minnesota Press, 2001

A propos de cet article

nach der Bestellung gedruckt Neuware - Printed after ordering - Outlines an exciting new approach to this confluence of art, media, and poetry.The experimental art and poetry of the last half of the twentieth century offers a glimpse of the emerging networked culture that electronic devices will make omnipresent. Craig J. Saper demarcates this new genre of networked art, which uses the trappings of bureaucratic systems-money, logos, corporate names, stamps-to create intimate situations among the participants. In Saper's analysis, the pleasures that these aesthetic situations afford include shared special knowledge or new language among small groups of participants. Functioning as artworks in themselves, these temporary institutional structures-networks, publications, and collective works-give rise to a gift-exchange community as an alternative economy and social system. Saper explains how this genre developed from post-World War II conceptual art, including periodicals as artworks in themselves; lettrist, concrete, and process poetry; Bauhaus versus COBRA; Fluxus publications, kits, and machines; mail art and on-sendings. The encyclopedic scope of the book includes discussions of artists from J. Beuys to J. S. G. Boggs, and Bauhaus's Max Bill to Anna Freud Banana. Networked Art is an essential guide to the digital artists and networks of the emerging future.

N° de réf. du vendeur 9780816637072

Détails bibliographiques

• Titre: Networked Art
• Éditeur: University Of Minnesota Press
• Date de parution: 2001
• Langue: anglais
• ISBN à 10 chiffres: 0816637075
• ISBN à 13 chiffres: 9780816637072
• Reliure: Taschenbuch
• État de l'article: Neu
• Dimensions: 229 L x 149 H x 28 P (en millimètres) 229 millimètres de largeur par 149 millimètres de hauteur par 28 millimètres de profondeur
• Poids: 306 grammes

A propos de ce titre

Synopsis

Outlines an exciting new approach to this confluence of art, media, and poetry.

The experimental art and poetry of the last half of the twentieth century offers a glimpse of the emerging networked culture that electronic devices will make omnipresent. Craig J. Saper demarcates this new genre of networked art, which uses the trappings of bureaucratic systems--money, logos, corporate names, stamps--to create intimate situations among the participants.

In Saper's analysis, the pleasures that these aesthetic situations afford include shared special knowledge or new language among small groups of participants. Functioning as artworks in themselves, these temporary institutional structures--networks, publications, and collective works--give rise to a gift-exchange community as an alternative economy and social system. Saper explains how this genre developed from post-World War II conceptual art, including periodicals as artworks in themselves; lettrist, concrete, and process poetry; Bauhaus versus COBRA; Fluxus publications, kits, and machines; mail art and on-sendings. The encyclopedic scope of the book includes discussions of artists from J. Beuys to J. S. G. Boggs, and Bauhaus's Max Bill to Anna Freud Banana. Networked Art is an essential guide to the digital artists and networks of the emerging future.

À propos de l'auteur

Craig J. Saper is associate professor of multimedia at the University of the Arts in Philadelphia, and is the author of Artificial Mythologies (Minnesota, 1997).