Extrait
ONE
TOM
Instead of a family tree, the Thomson family could be better represented by The Tangled Garden, a 1916 painting by Thomson’s friend and contemporary J.E.H. MacDonald. Tom’s paternal grandfather, Thomas “Tam” Thomson, was the offspring of a woman named Christian Davidson, who had been jilted and left pregnant by her lover. Tam had children with three different women, two of whom he might have been married to at the same time. The painter’s paternal great-grandmother had two children out of wedlock until the church forced her lover to marry her—shortly after which he fled Scotland for North America and vanished, never to be seen again by the family. Roots of discontent.
Tam Thomson, described as “a charming talker and devilishly handsome,” emigrated to Canada to seek employment, promising to support the two children—one named Thomas Thomson, Jr.—he was leaving behind with their mothers, Elizabeth Delgarno of Old Deer, whom he might have married but never divorced, and Sarah Allan of nearby Peterhead, who bore him Thomas. According to Angie Littlefield’s self-published The Thomsons of Durham, Tam came to this country and settled first around Whitby, where he courted and married Elizabeth Brodie, who’d also come to Canada from Scotland. It was in Whitby in 1840 that John Thomson, father of the painter, was born.
Tam Thomson later purchased a farm at nearby Claremont, northwest of Whitby, and the growing family—eventually joined by Tam’s Scottish offspring—settled into a stone house there and prospered. Tam was a grand storyteller—“He was always the hero of his own story,” a cousin said—but his willingness to work hard and the sheer force of his personality soon brought him financial success as well. Very quickly, the Thomsons became a family of substance in the newly settled area. Though he’d lived in abject poverty back in Scotland, Tam Thomson now ran a grand home with servants.
A nearby Scottish family, the Mathesons, had come from the Isle of Skye in 1841 following the failure of the potato crop, first settling on Prince Edward Island. The Mathesons were also considered a family of substance—one relative was John A. Macdonald—and in 1865 John Thomson and Margaret Matheson married. John took over the management of his father’s growing farm operations, and one year after Confederation (a union brought about by their distinguished relative, privately referred to as “the old reprobate” by family members), they had their first child, George.
Elizabeth was born the following year, then Henry, Louise and Minnie—before a third boy arrived on August 5, 1877, and was given his grandfather’s proper name, Thomas John Thomson. When Tom was only two months old, the family moved north and west to a hundredacre farm called Rose Hill outside the village of Leith, near the southern edge of Lake Huron’s massive Georgian Bay. Here, the couple produced four more children: Ralph, James, Margaret and Fraser.
Life at Rose Hill was, by the few accounts available, rather bucolic. The family was well off thanks to a considerable inheritance from Tam, who died March 23, 1875 (Elizabeth had predeceased him by seven months). John Thomson was able to easily afford the $6,600 price tag on the Rose Hill property where he lived the life of a “gentleman farmer.” He became far better known for his fishing than his crop or livestock pursuits. As a great-niece once said of John Thomson, “He might not have been a good farmer, but he liked to watch a sunset.”
When Tom Thomson was five years old, his infant brother, James, died, cause not recorded. The nine remaining children, however, were healthy and thrived, though Tom is said to have suffered from “inflammatory rheumatism” at one point. In a 1931 letter, Thomson’s sister Louise wrote that Tom’s delicate condition led to the local doctor advising their parents to keep him out of school for a year. This, of course, delighted the boy, as it allowed him to spend most of that year outdoors. Louise said he was an amazing walker, once hiking fifteen kilometres through a blizzard to attend a party and another time travelling the thirty kilometres to Meaford on foot “rather than bother with a horse and buggy, though Father begged him to take them.” She said he would walk with a shotgun while wearing a felt hat he would soak with water and shape to a point over a broom handle. He would decorate the hat with wildflowers and squirrel tails. It was a typical rural Ontario life for a boy, not all that different from how I spent my time more than half a century later—minus the silly hat, of course.
Young Tom spent considerable time fishing on nearby Georgian Bay and on the sound heading into the Owen Sound harbour. He became a fine fisherman and quite an accomplished swimmer, which would suggest either that his health had been fine all along or that the outdoors had had its intended effect.
Life on Rose Hill was privileged. The Thomson children had their duties, but there was always time for fishing in summer and for skating on the frozen sound in winter. The farm was a social gathering point for neighbours, often filled with music. Tom sang in the church choir, played the violin in the school orchestra and, at local dances, dabbled on the mandolin and cornet. And he read, wrote poetry and liked to draw. Though we know he missed that one year of school, no one has been able to find any mention of what grade he completed.
Young Tom had a genuine love of nature that was significantly influenced by an older cousin of his grandmother, William Brodie, whom the Thomsons would sometimes visit in Toronto. Brodie, a dentist, was also a renowned naturalist—his collected specimens are in the Smithsonian in Washington and the Royal Ontario Museum in Toronto—who had lost his only son, Willie, in a canoeing accident. William Brodie, Jr., only nineteen, had set out to collect specimens along Manitoba’s Assiniboine River with some other young scientists, including the writer and naturalist Ernest Thompson Seton, but Willie’s canoe had overturned in the spring current, and his friends had been unable to get a lifeline to him in time.
Tom, with his very evident love of nature, became something of a surrogate son to the elder Brodie, often going on day-long hikes through Toronto’s ravines, with Uncle Willie pointing out the various flora and fauna they found there.
Tom grew into a lithe and handsome young man. One photograph, taken when he was in his late teens, shows a rakish figure staring hard into the camera, an unlighted cigarette carefully set in a corner of his mouth, a rather faint moustache reaching for maturity and both hands shoved deep into his pants pockets in an insouciant pose that belies his rather formal white-tie dress. He was, his niece Jessie Fisk (née Harkness) would later claim, a lady-killer, with thick, black hair that he initially parted in the middle, causing a hank of locks to bracket each side of his forehead and draw attention to his patrician nose. His chin had a small dimple, and, like others in his family, he had a straight right eyebrow and a slightly curved left, giving people the impression he was vitally interested in whatever they were saying. Tall, with dark eyes and fine features, he soon abandoned the weak moustache but took to smoking a pipe, which made him seem more mature. One of his favourite words, apparently, was “shoddy,” which occasionally gave the impression that he was arrogant. At other times he seemed shy, which young women found attractive. Others took his reserve for brooding.
He certainly came early in life to the pleasures of drink. His childhood friend Alan H. Ross wrote a remembrance in which he said: “I have been with him on several occasions when I am now sorry to say that neither of us was very sober, but it is in such times men exchange real confidences and it was on one such occasion that I discovered how deeply sensitive he was and how he resented anything like public ridicule . . . I remember one night in 1901, in Meaford, when he embosomed himself, lamenting his lack of success in life in terms that rather astonished me. I began to think then that he realized his powers and that he also had secret ambitions. But one never knows . . .”
At twenty-one, all the Thomson children inherited $2,000 each from the estate of Tam Thomson—about $40,000 in today’s money. Tom frittered this substantial inheritance away—he had a passion for expensive silk shirts among other things—in very little time, a harbinger of the fact that he would spend the rest of his short life in constantly recurring financial crises. His sister Louise claimed that the directionless young man tried three times to enlist to serve in the South African War, only to be rejected each time on the grounds of his having a badly broken toe from a football game played long before. This information comes from a letter she wrote in 1931 and may or may not be factual. I do not believe it. She might have been trying to come to terms with a deceased family member who had gone from being relatively unknown at the time of his death to being of increasing interest in the emerging world of Canadian art. Such a white lie, if indeed it was—no records were kept concerning those rejected—could have been concocted to smooth over whatever awkwardness the family felt regarding inquiries about Tom’s later failure to enlist in the Great War, as A.Y. Jackson and other art contemporaries had done.
A longtime ranger in Algonquin Park, Bud Callighen, said that Tom had told him in the summer of 1915 that he’d tried three times to enlist but had been turned down. Callighen naturally assumed ...
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