Notes from the Underground: Zapiski Iz Podpol'ya (Russian Edition)

Dostoyevsky, Fedor

ISBN 10: 1784350486 / ISBN 13: 9781784350482

Edité par Jiahu Books, 2014

A propos de cet article

N° de réf. du vendeur I-9781784350482

Détails bibliographiques

• Titre: Notes from the Underground: Zapiski Iz Podpol'ya (Russian Edition)
• Éditeur: Jiahu Books
• Date de parution: 2014
• Langue: russe
• ISBN à 10 chiffres: 1784350486
• ISBN à 13 chiffres: 9781784350482
• Reliure: Couverture souple
• État de l'article: New

A propos de ce titre

Synopsis

Notes from the Underground is an 1864 novella by Fyodor Dostoyevsky. It is considered by many to be the first existentialist novel. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man) who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form, or the underground man's diary, and attacks emerging Western philosophy, especially Nikolay Chernyshevsky's What Is to Be Done? The second part of the book describes certain events that, it seems, are destroying and sometimes renewing the underground man, who acts as a first person, unreliable narrator.

Biographie de l'auteur

Born in Moscow in 1821, Foydor Dostoyevsky is considered to be one of the greatest and most prominent psychologists in world literature. Dostoyevsky was incarcerated in 1849 for being part of the liberal intellectual group the Petrashevsky Circle. He also suffered from an acute gambling compulsion. Crime and Punishment was completed in a mad hurry because he was in urgent need of an advance from his publisher. Motivated by the dual wish to escape his creditors at home and to visit the casinos abroad, Dostoyevsky travelled to Western Europe in 1862. He visited France, Germany, Switzerland, Italy, and England. In London he attended the 1862 World's Fair and had a first-hand look at the Crystal Palace, the architectural wonder of the age. The image of the Crystal Palace, which for progressive critics symbolized the dawning of a new age of reason and harmony, was to loom large in Dostoevsky's works to come, especially Notes from Underground and Crime and Punishment.