October: The First Decade, 1976-1986

Annette Michelson, Rosalind Krauss, Douglass Crimp, and Joan Copjec (Edited by)

ISBN 10: 0262132222 / ISBN 13: 9780262132220

Edité par The M.I.T Press, Cambridge, MA & London, 1987

A propos de cet article

456 pp. Solidly bound copy and dj with moderate external wear and crisp pages. Relevant newspaper articles included from previous owner. Pen, highlighter and pencil markings throughout text.

N° de réf. du vendeur 4iiiEb0006

Détails bibliographiques

• Titre: October: The First Decade, 1976-1986
• Éditeur: The M.I.T Press, Cambridge, MA & London
• Date de parution: 1987
• Langue: anglais
• ISBN à 10 chiffres: 0262132222
• ISBN à 13 chiffres: 9780262132220
• Reliure: Hardcover
• Illustrateur: Dziga Vertov (Front Jacket Photo/Still)
• État de l'article: Very Good
• État de la jaquette: Very Good
• Catalogues du vendeur:
  • Academic, Scholarly, Research
  • Art, Art Criticism, Art History & Studies, etc.

A propos de ce titre

Synopsis

OCTOBER: The First Decade brings together a selection of some of the most important and representative texts, many from issues long out of print, that have appeared in one of the foremost journals in art criticism and theory.

Contributors
Rosalind Krauss, Sergei Eisenstein, Peter Handke, Georges Didi Huberman, Mary Ann Doane, and Hans Haacke. Their essays are organized under the categories of the index, historical materialism, the critique of institutions, psychoanalysis, rhetoric, and the body.

À propos de l?auteur

Annette Michelson (1922–2018) was widely considered one of the twentieth century's most influential writers on film. During her more than five-decade career, she was an art editor and critic for the New York Herald Tribune, a writer for Artforum, a founding editor of the journal October, and Professor in the Department of Cinema Studies at New York University. Some of Michelson's essays on film were collected in On the Eve of the Future: Selected Writings on Film (MIT Press).

Rosalind E. Krauss is University Professor in the Department of Art History at Columbia University, where, from 1995 to 2006, she held the Meyer Schapiro Chair in Modern Art and Theory. She is a founding editor of October and the author of Passages in Modern Sculpture, The Originality of the Avant-Garde and Other Myths, The Optical Unconscious, Bachelors, Perpetual Inventory, Under Blue Cup (all published by the MIT Press), and other books.

Douglas Crimp is Fanny Knapp Allen Professor of Art History at the University of Rochester. He is the author of On the Museum's Ruins and Melancholia and Moralism: Essays on AIDS and Queer Politics, both published by the MIT Press.

Joan Copjec is Professor of English, Comparative Literature, and Media Study at the University at Buffalo, where she is also Director of the Center for the Study of Psychoanalysis and Culture.