Three new short plays written by three of the UK's leading playwrights, all rooted in West London and exploring issues of race, identity and our sense of place and purpose.
Roy Williams, OBE, worked as an actor before turning to writing full-time in 1990. He graduated from Rose Bruford in 1995 with a first class BA Hons degree in Writing and participated in the 1997 Carlton Television screenwriter's course. The
No Boys Cricket Club (Theatre Royal, Stratford East, 1996) won him nominations for the TAPS Writer of the Year Award 1996 and for New Writer of the Year Award 1996 by the Writers' Guild of Great Britain. He was the first recipient of the Alfred Fagon Award 1997 for
Starstruck (Tricycle Theatre, London, 1998), which also won the 31st John Whiting Award and the EMMA Award 1999.
Lift Off (Royal Court Theatre Upstairs, 1999) was the joint winner of the George Devine Award 2000. His other plays include:
Night and Day (Theatre Venture, 1996);
Josie's Boys (Red Ladder Theatre Co., 1996);
Souls (Theatre Centre, 1999);
Local Boy (Hampstead Theatre, 2000);
The Gift (Birmingham Rep/Tricycle Theatre, 2000);
Clubland (Royal Court, 2001), winner of the Evening Standard Charles Wintour Award for the Most Promising Playwright;
Fallout (Royal Court Theatre, 2003) which was made for television by Company Pictures/Channel 4;
Sing Yer Heart Out for the Lads (National Theatre, 2002, 2004),
Little Sweet Thing (New Wolsey, Ipswich/ Nottingham Playhouse/Birmingham Rep, 2005),
Slow Time (National Theatre Education Department tour, 2005),
Days of Significance (Swan Theatre, Stratfordupon- Avon, 2007),
Absolute Beginners (Lyric Theatre, Hammersmith, 2007),
Joe Guy (Tiata Fahodzi/Soho Theatre, 2007),
Baby Girl (National Theatre, 2007),
Out of the Fog (Almeida Theatre, 2007),
There's Only One Wayne Matthews (Polka Theatre, 2007),
Category B (Tricycle Theatre, 2009) and
Sucker Punch (Royal Court, 2010). He also contributed
A Chain Play (Almeida Theatre, 2007) and
Sixty Six (Bush Theatre, 2011). His screenplays include
Offside, winner of a BAFTA for Best Schools Drama 2002. His radio plays include
Tell Tale, Homeboys,
Westway, which was broadcast as part of Radio 4 First Bite Young Writers' Festival,
To Sir with Love, and
The Interrogation. He also wrote
Babyfather for BBC TV. He was awarded the OBE for Services to Drama in the 2008 Birthday Honours List.
Over the past 25 years,
Tanika Gupta has written over 25 stage plays that have been produced in major theatres across the UK and has written extensively for BBC Radio drama. Some of her theatre credits include:
A Doll's House (Lyric Hammersmith)
Red Dust Road - adaptation of Jackie Kay's memoir (NT Scotland);
Bones (Central School for Speech and Drama)
Hobson's Choice (Manchester Royal Exchange);
Lions And Tigers (Globe Theatre);
A Short History of Tractors in Ukrainian (Hull Truck Theatre);
Midsummer Night's Dream (Globe Theatre -Dramaturg);
Anita and Me (Birmingham Rep);
Love N Stuff (Theatre Royal Stratford East);
The Empress (Royal Shakespeare Company);
Wah! Wah! Girls - A British Bollywood Musical (Sadler's Wells);
Mindwalking (Bandbazi Theatre);
Great Expectations (Watford Palace Theatre/English Touring Theatre);
Meet The Mukherjees (Bolton Octagon Theatre);
White Boy (National Youth Theatre/Soho Theatre);
Sugar Mummies (Royal Court Theatre);
Gladiator Games (Sheffield Crucible Theatre);
Hobson's Choice (Young Vic);
Fragile Land (Hampstead Theatre);
Inside Out (Clean Break);
Sanctuary, Brecht's The Good Woman Of Setzuan and The Waiting Room (National Theatre);
Skeleton (Soho Theatre); and
A River Sutra (Indoza). Some of her Television credits include:
Doctors, London Bridge, All About Me, EastEnders, Grange Hill, The Bill, Flight, Banglatown Banquet, Our Lives As Animals ,The Fiancee and
Bideshi. Some of her Radio credits include
: Trumpet,
A Passage To India, Death of a Matriarch, The Home and The World, Emma, Writing The Century, Bindi Business, Song Of The Road, The God Of Small Things, Baby Farming and Ibsen's
A Doll's House. In 2008 Tanika was awarded an MBE for Services to Drama and in 2016 was made a Fellow of the Royal Society of Literature. Tanika has an honorary doctorate in the Arts from Chichester University and is an Honorary Fellow at Rose Bruford College and Central School of Speech and Drama. She won the James Tait Black award in 2018 for her play
Lions and Tigers.For more than twenty-five years Simon Stephens' work has been widely translated and produced throughout the world. He has won many Awards including Olivier and Tony Awards for new plays. His 2026 play An Ark staged by Tim Drum Collective at the Shed in New York was one of the first plays ever written for Mixed Reality . His radical adaptation of Uncle Vanya, Vanya, starring Andrew Scott ran in London's West End and at the Lucille Lortel , New York between Autumn 23 and Spring 25 and was screened to phenomenal success on NT Live and NT Home. His adaptation of Jose Saramago's Blindness was made into a light and sound installation that was produced internationally during the Covid 19 pandemic. His most famous play is his adaptation of Mark Haddon's best-selling novel, The Curious Incident of the Dog in the Night-Time. He has had thirty five original plays produced professionally.
He has written new English language versions of masterpieces by Chekhov, Ibsen and Brecht, collaborated with the world's leading theatre practitioners (Patrice Chereau, Ivo Van Hove, Marianne Elliott, Katie Mitchell) and produced original work throughout Europe, Asia, Australia and the Americas.
He has been Artistic Associate at the Lyric, Hammersmith and Associate Playwright at the Royal Court Theatre. He has taught playwriting workshops in five continents. He has presented four series of the celebrated Playwright's Podcast from the Royal Court Theatre. He is a Professor at the Writing School of Manchester Metropolitan University. His book A Working Diary was published by Methuen Bloomsbury in 2016. He lives in East London with his wife, three children, their snake, two cats and two dogs.
