The Oxford Companion to J. M. W. Turner. Cet article n’est pas disponible.
Langue : anglais
Edité par Oxford University Press, 2001
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- Titre
- The Oxford Companion to J. M. W. Turner
- Éditeur
- Oxford University Press
- Année de publication
- 2001
- État de l'article
- Very Good
- Jaquette
- No Jacket
- Reliure
- Hardcover
- Langue
- anglais
- ISBN à 10 chiffres
- 0198600259
- ISBN à 13 chiffres
- 9780198600251
- Poids de l'article
- 3,05 livres
The first ever authoritative guide to Turner and all aspects of his art
J. M. W. Turner is generally acknowledged not only as Britain's greatest painter, but as one of the finest and most original of all landscape painters. His long life and exceptionally large and varied oeuvre has created a body of art, and accompanying literature and primary sources, that are daunting and often inaccessible to the scholar and Turner enthusiast alike. The Oxford Companion to J. M. W. Turner, the first reference work devoted entirely to this artist, is an authoritative guide to every aspect of Turner's life, his art, his reception past and present, and the cultural, social, and political context in which he worked. Written by a team of the foremost Turner scholars in the world, the Companion presents the very latest information available, in a form that is both easy to use and enjoyable to read.
Over 760 alphabetical entries offer
* the fullest possible accounts of the private and public life of this baffling and secretive man - his family and friends, his mistresses and children; his interests and travels, patrons and associates, his will and bequest
* details of his working methods; his stylistic development; the artists who influenced and inspired him, and those whom he influenced in turn; pupils and assistants; exhibitions during his lifetime, and the prices paid for his pictures
* full coverage of the subjects and topographies depicted in his art, from Walter Scott's country house at Abbotsford to his panoramic views of Zurich
* over 100 entries on the most important individual works and groups of works-oils, watercolours, and engravings, both exhibited and unexhibited
* contextual coverage of contemporary artists, literary influences, political events and the issues of his day, from slavery to the Sublime
* a complete account of past and modern Turner scholarship, and of important exhibitions, public and private collections, dealers and the market for his art today
WITH: EXQUISITE COLOUR PLATES; CHRONOLOGY OF HIS LIFE AND TIMES; EXTENSIVE BIBLIOGRAPHY; LISTING OF PUBLIC COLLECTIONS WITH WORKS BY TURNER
J. M. W. Turner is generally acknowledged not only as Britain's greatest painter, but as one of the finest and most original of all landscape painters. His long life and exceptionally large and varied oeuvre has created a body of art, and accompanying literature and primary sources, that are daunting and often inaccessible to the scholar and Turner enthusiast alike. The Oxford Companion to J. M. W. Turner, the first reference work devoted entirely to this artist, is an authoritative guide to every aspect of Turner's life, his art, his reception past and present, and the cultural, social, and political context in which he worked. Written by a team of the foremost Turner scholars in the world, the Companion presents the very latest information available, in a form that is both easy to use and enjoyable to read.
Over 760 alphabetical entries offer
* the fullest possible accounts of the private and public life of this baffling and secretive man - his family and friends, his mistresses and children; his interests and travels, patrons and associates, his will and bequest
* details of his working methods; his stylistic development; the artists who influenced and inspired him, and those whom he influenced in turn; pupils and assistants; exhibitions during his lifetime, and the prices paid for his pictures
* full coverage of the subjects and topographies depicted in his art, from Walter Scott's country house at Abbotsford to his panoramic views of Zurich
* over 100 entries on the most important individual works and groups of works-oils, watercolours, and engravings, both exhibited and unexhibited
* contextual coverage of contemporary artists, literary influences, political events and the issues of his day, from slavery to the Sublime
* a complete account of past and modern Turner scholarship, and of important exhibitions, public and private collections, dealers and the market for his art today
WITH: EXQUISITE COLOUR PLATES; CHRONOLOGY OF HIS LIFE AND TIMES; EXTENSIVE BIBLIOGRAPHY; LISTING OF PUBLIC COLLECTIONS WITH WORKS BY TURNER
« Synopsis » peut appartenir à une autre édition de cet ouvrage.
À propos de l’auteur
Evelyn Joll is a former Chairman of Agnew's, the art dealers acknowledged for more than a century as the principal dealers in Turner's art. He was a founding member of the editorial board of the journal Turner Studies, and he was Chairman of the Turner Society from 1994 to 2000.
Martin Butlin was an Assistant Keeper at the Tate Gallery, London, becoming Keeper of the Historic British Collection there from 1967 to 1989. He has also assisted in the selection and cataloguing of exhibitions on Turner and Blake. He is a Fellow of the British Academy and in 1990 was created CBE for services to art scholarship.
Luke Herrmann is Emeritus Professor of the History of Art, University of Leicester. After a period as Senior Assistant Keeper in the Department of Western Art at the Ashmolean Museum in Oxford, he moved to the University of Leicester, where he held the Chair of the History of Art from 1973 until his retirement in 1987. From 1981 to 1991 he was on the editorial board of Turner Studies, and has been honorary editor of The Walpole Society from 1993 to 2000. A Fellow of the Society of Antiquaries, he lectures on Turner frequently in Britain and abroad, and is currently honorary Vice-President of the Turner Society.
Martin Butlin was an Assistant Keeper at the Tate Gallery, London, becoming Keeper of the Historic British Collection there from 1967 to 1989. He has also assisted in the selection and cataloguing of exhibitions on Turner and Blake. He is a Fellow of the British Academy and in 1990 was created CBE for services to art scholarship.
Luke Herrmann is Emeritus Professor of the History of Art, University of Leicester. After a period as Senior Assistant Keeper in the Department of Western Art at the Ashmolean Museum in Oxford, he moved to the University of Leicester, where he held the Chair of the History of Art from 1973 until his retirement in 1987. From 1981 to 1991 he was on the editorial board of Turner Studies, and has been honorary editor of The Walpole Society from 1993 to 2000. A Fellow of the Society of Antiquaries, he lectures on Turner frequently in Britain and abroad, and is currently honorary Vice-President of the Turner Society.
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