[PASTEL PAINTING OF A SCENE IN THE PACIFIC NORTHWEST, PROBABLY THE COLUMBIA RIVER, WITH INDIANS LANDING CANOES ON A RIVERBANK, AND SNOWCAPPED MOUNTAINS IN THE DISTANCE].

[Gibbs, George]:

Edité par Oregon or Washington. [Based on sketches made ca.1850-1855, but painted somewhat later].

A propos de cet article

This beautiful painting of three Native Americans laying up two canoes on the bank of a river in wooded mountainous terrain is the work of George Gibbs (1815-73), ethnographer, mapmaker, geologist, historian, attorney, and, for nearly twelve years, an explorer, artist, and administrator in the Pacific Northwest. The scene is likely the western entrance to the Columbia River Gorge, with the Cascade Mountain Range in the near distance. The painting shares several geographic and artistic touchpoints with the annotated on-the-spot drawing from 1850 that Gibbs made farther east on the river at Oak Point, illustrated in David Bushnell's Drawings by George Gibbs in the Far Northwest, 1849-1851. The painting is signed in a slightly stylized version of the signature found throughout Gibbs' personal and professional papers. Gibbs learned to paint while attending the Round Hill School in Northampton, Massachusetts, the first experimental prep school in the country, founded by future historian George Bancroft and Joseph Green Cogswell, later director of the first great public library in the United States, the Astor Library. Gibbs grew up surrounded by great American art. "Gibbs' father commissioned Gilbert Stuart to paint Washington, Adams, Jefferson, Madison, and Monroe; these portraits hung in Gibbs' childhood home at Sunswick Farms, Astoria, New York. Stuart also painted portraits of 'Colonel' George Gibbs and Laura Wolcott Gibbs, his parents" (Beckham). Papers from Gibbs' adolescence indicate the development of his interest in science and in outdoor life; and one very interesting letter, a harbinger of a career to come, written in 1833 from Boston to his sister, Eliza, includes an account of seventeen-year-old Gibbs' encounter with John James Audubon (Wisconsin Historical Society): "Dear Sister, I have just returned from a visit to Mr. Audubon. THE Audubon. But I will tell you all in order. Saturday I went to see the prints of his birds at the Athenaeum. They are superb, of full size on elephant paper. Turkeys & eagles as well as small birds and large as life & the colouring & execution beautiful. They are all of them represented in the act of seizing their prey or in some natural and striking position. The landscapes birds butterflies animals etc are very fine. His son paints the flowers & branches of trees on which many rest, from nature, they are very beautiful. He has not near finished his collection, though about two hundred are done. I killed [a moth] this morning with nitric acid, and by way of introduction agreed to take him to Mr. Audubon's & Aunt Ruth who had been before went to. Mr. A was unwell & we took the pleasure of seeing him. He is a complete original & a remarkable man. [Audubon was] extremely glad of the moth & Mr. A [illegible] that I would accept of a little shell he had picked up on the coast of Florida as a remembrance. [Audubon] has a large collection of stuffed birds as a reference for description. He showed me some of the original paintings. The feathers look like real ones every division accurately transferred." Gibbs earned a Harvard law degree, then began a desultory, unenthusiastic, unprofitable law practice. "[In 1843, Gibbs became librarian of the New-York Historical Society], cataloging the collection and steering it toward an emphasis on American subjects. [Gibbs started another law firm], but his work for the historical society [which he genuinely enjoyed and committed himself to] absorbed more and more of his time. "The excitement over the discovery of gold in California finally dislodged Gibbs completely from his law practice, and in 1849 he left New York for St. Louis, Missouri. Joining a march of the Mounted Riflemen, he traveled overland from Fort Leavenworth to Oregon City. On the trip he made many drawings and kept a journal, portions of which were published in the New York papers. His lively entries described the climate and landscape, life in camp, and encounters with Sioux Indians and emig.

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Détails bibliographiques

• Titre: [PASTEL PAINTING OF A SCENE IN THE PACIFIC NORTHWEST, PROBABLY THE COLUMBIA RIVER, WITH INDIANS LANDING CANOES ON A RIVERBANK, AND SNOWCAPPED MOUNTAINS IN THE DISTANCE].
• Éditeur: Oregon or Washington. [Based on sketches made ca.1850-1855, but painted somewhat later].