Paranoia and Modernity : Cervantes to Rousseau

John C. Farrell

ISBN 10: 0801444101 / ISBN 13: 9780801444104

Edité par Cornell University Press Dez 2005, 2005

A propos de cet article

Neuware - 'Don Quixote is the first great modern paranoid adventurer. Grandiosity and persecution define the characters of Swift's Gulliver, Stendhal's Julien Sorel, Melville's Ahab, Dostoyevsky's Underground Man, Ibsen's Masterbuilder Solness, Strindberg's Captain (in The Father), Kafka's K., and Joyce's autobiographical hero Stephen Dedalus. The all-encompassing conspiracy, very much in its original Rousseauvian cast, has become almost the normal way of representing society and its institutions since World War Two, giving impetus to heroic plots and counter-plots in a hundred films and in the novels of Burroughs, Heller, Ellison, Pynchon, Kesey, Mailer, DeLillo, and others.'--from Paranoia and ModernityParanoia, suspicion, and control have preoccupied key Western intellectuals since the sixteenth century. Paranoia is a dominant concern in modern literature, and its peculiar constellation of symptoms--grandiosity, suspicion, unfounded hostility, delusions of persecution and conspiracy--are nearly obligatory psychological components of the modern hero.How did paranoia come to the center of modern moral and intellectual consciousness In Paranoia and Modernity, John Farrell brings literary criticism, psychology, and intellectual history to the attempt at an answer. He demonstrates the connection between paranoia and the long history of struggles over the question of agency--the extent to which we are free to act and responsible for our actions. He addresses a wide range of major authors from the late Middle Ages to the eighteenth century, among them Luther, Bacon, Cervantes, Descartes, Hobbes, Pascal, La Rochefoucauld, Swift, and Rousseau. Farrell shows how differently paranoid psychology looks at different historical junctures with different models of agency, and in the epilogue, 'Paranoia and Postmodernism,' he draws the implications for recent critical debates in the humanities.

N° de réf. du vendeur 9780801444104

Détails bibliographiques

• Titre: Paranoia and Modernity : Cervantes to Rousseau
• Éditeur: Cornell University Press Dez 2005
• Date de parution: 2005
• Langue: anglais
• ISBN à 10 chiffres: 0801444101
• ISBN à 13 chiffres: 9780801444104
• Reliure: Buch
• État de l'article: Neu
• Dimensions: 240 L x 164 H x 30 P (en millimètres) 240 millimètres de largeur par 164 millimètres de hauteur par 30 millimètres de profondeur
• Poids: 636 grammes

A propos de ce titre

Synopsis

"Don Quixote is the first great modern paranoid adventurer.... Grandiosity and persecution define the characters of Swift's Gulliver, Stendhal's Julien Sorel, Melville's Ahab, Dostoyevsky's Underground Man, Ibsen's Masterbuilder Solness, Strindberg's Captain (in The Father), Kafka's K., and Joyce's autobiographical hero Stephen Dedalus.... The all-encompassing conspiracy, very much in its original Rousseauvian cast, has become almost the normal way of representing society and its institutions since World War Two, giving impetus to heroic plots and counter-plots in a hundred films and in the novels of Burroughs, Heller, Ellison, Pynchon, Kesey, Mailer, DeLillo, and others."--from Paranoia and Modernity

Paranoia, suspicion, and control have preoccupied key Western intellectuals since the sixteenth century. Paranoia is a dominant concern in modern literature, and its peculiar constellation of symptoms--grandiosity, suspicion, unfounded hostility, delusions of persecution and conspiracy--are nearly obligatory psychological components of the modern hero.

How did paranoia come to the center of modern moral and intellectual consciousness? In Paranoia and Modernity, John Farrell brings literary criticism, psychology, and intellectual history to the attempt at an answer. He demonstrates the connection between paranoia and the long history of struggles over the question of agency--the extent to which we are free to act and responsible for our actions. He addresses a wide range of major authors from the late Middle Ages to the eighteenth century, among them Luther, Bacon, Cervantes, Descartes, Hobbes, Pascal, La Rochefoucauld, Swift, and Rousseau. Farrell shows how differently paranoid psychology looks at different historical junctures with different models of agency, and in the epilogue, "Paranoia and Postmodernism," he draws the implications for recent critical debates in the humanities.

À propos de l?auteur

John Farrell is Professor of Literature at Claremont McKenna College. He is the author of Paranoia and Modernity: Cervantes to Rousseau, from Cornell, and Freud's Paranoid Quest: Psychoanalysis and Modern Suspicion.