Piano Grade 5

Edité par Trinity College London
Ancien(s) ou d'occasion Paperback

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THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Pieces & Exercises for Trinity Guildhall examinations. Trinity College London and Guildhall Examinations Service amalgamated as Trinity Guildhall in 2004. A new, combined suite of Trinity Guildhall music examination syllabuses is valid since 2007. The book is in good condition with only minor signs of wear on the covers. There are some underlinings in black biro on the inside front cover. All other inside pages are clean. N° de réf. du vendeur 440161

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Détails bibliographiques

Titre : Piano Grade 5
Éditeur : Trinity College London
Reliure : Paperback
Etat : Good

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PIANO), FERGUSON Howard (Ed) TELEMANN, JONES Richard, SCARLATTI, MOZART, BEETHOVEN, SCHUBERT, MENDELSSOHN, GRIEG, MADOWELL, REGER, TCHAIKOVSKY
Edité par ABRSM, 1981
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Card 32pp.Fine. N° de réf. du vendeur PIANO071313

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The Associated Board of the Royal Sghools of Music
Edité par ABRSM Publishing, 1994
ISBN 10 : 1854727621 ISBN 13 : 9781854727626
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Vendeur : Crappy Old Books, Barry, Royaume-Uni

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Paperback. Etat : Good. Some books exist to inspire. Some exist to console. And some exist for the far less sentimental purpose of ensuring that aspiring pianists can run their fingers up and down in approved patterns until both student and household are spiritually altered by repetition. Scales and Arpeggios ? Grade 5 ? Piano belongs proudly to this last and deeply character-building category. Published in 1994 by ABRSM Publishing and attributed to The Associated Board of the Royal Schools of Music, this is not a book of romance, rebellion or sweeping artistic freedom. It is, instead, a compact manual of order, discipline and the stern reality that before one can thunder through Chopin or drift moodily through Debussy, one must first become intimately acquainted with the less glamorous business of correct fingering in B major. Such is civilisation. There is something almost heroic about the honesty of the thing. The title does not attempt to seduce. It does not hint at hidden genius or promise effortless mastery in ten enjoyable steps. It simply states the facts: these are scales and arpeggios, they are for Grade 5 piano, and you will be dealing with them whether you like it or not. In an age of inflated claims and cheerful marketing nonsense, one cannot help but admire such administrative purity. And yet, within that severity, there is a strange kind of beauty. Scales and arpeggios are the plumbing of piano playing, the invisible structure beneath all the flourish. Nobody invites friends round to hear a thrilling evening of disciplined technical groundwork, and yet without that groundwork the grand performance tends to collapse into panic and wrong notes. This little volume is a reminder that music, for all its emotional grandeur, is also an elaborate system of recurring patterns that must be drilled into the fingers until they obey faster than the brain can complain. That is what gives books like this their peculiar charm. They represent the unromantic truth behind artistic accomplishment. Every glittering recital has, somewhere in its past, a weary child or teenager mechanically ascending and descending keys while a teacher says ?again? in a tone suggesting both hope and disappointment. Scales and Arpeggios ? Grade 5 ? Piano is the printed companion to that ritual. It is not here to flatter you. It is here to improve you, which is much less pleasant but ultimately more useful. As sold by Crappy Old Books, this copy is in Good condition, which feels exactly right. A scales book ought to look as though it has had a life. Not battered into despair, certainly, but handled, opened, perhaps propped on a piano stand while someone wrestled with contrary motion and tried not to take it personally. Good condition suggests a respectable survivor: used, valued, and not entirely crushed by the educational process. There is also something wonderfully ironic about second-hand music exam books. Once bought with grim purpose, possibly by a parent radiating ambition or a pupil radiating dread, they now re-emerge as curious relics of structured perseverance. Their original urgency has faded. No examiner is waiting now. No marked form is looming. The book can finally be appreciated not just as a tool of mild torment, but as an object of great institutional charm. It comes from that excellent British tradition in which cultural refinement is pursued by means of organised testing and carefully standardised booklets. And ABRSM, of course, is a world unto itself. Few organisations have done more to persuade generations that musical development should proceed via grades, syllabuses and the methodical conquering of technical obstacles. There is something both admirable and faintly terrifying about that empire of earnest improvement. This book is one of its humble foot soldiers: small, dutiful, efficient, and quietly central to the whole operation. For pianists, teachers, nostalgic former pupils, collectors of music ephemera, or anyone who enjoys the quiet comedy of books devoted entirely to disciplined repetition, this is a splendid find. It is practical, austere, oddly evocative and full of the ghostly echo of practice sessions past. You can almost hear the metronome. You can almost feel the reluctant straightening of posture. You can almost detect the moment when someone realised there was yet another minor key to memorise. So this is more than a music booklet. It is a compact monument to the truth that talent, whatever else it may be, is often built on an alarming number of scales. A small paperback of finger exercises and formal expectations, yes, but also a quiet tribute to persistence, repetition and the long British tradition of making art slightly more official than it strictly needs to be. Scales and Arpeggios ? Grade 5 ? Piano is not flashy. It is not fun in any obvious sense. But it is foundational, formidable and, in its own severe little way, rather wonderful. Condition: Good. Which is more than many candidates felt halfway through practising the left hand. Sold by Crappy Old Books. THIS BOOK BEARS THE CRAPPY OLD BOOKS STAMP. IF THAT IS UNDESIRABLE PLEASE DO NOT BUY THIS. THE STAMP MARKS WHICH IS USUALLY TO THE FRONT AND BACK INNER PAGES SAYS SOLD BY CRAPPY OLD BOOKS WITH WEB SITE URL. IT IN NO WAY DEMINISHED FROM THE READING. IF YOU WANT A PRISTINE BOOK, PLEASE FIND ANOTHER BOOK IN BETTER CONDITION SOMEWHERE ELSE. N° de réf. du vendeur 6120

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PIANO), GERMER H (Edited & Fingered) HAYDN, MOZART, BEETHOVEN, SCHUBERT, SCHUMANN
Edité par Novello
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Card 40pp.Clean & bright. N° de réf. du vendeur PIANO038610

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Various
ISBN 10 : 1854728768 ISBN 13 : 9781854728760
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Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. N° de réf. du vendeur rev5353390242

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Various
ISBN 10 : 1860960553 ISBN 13 : 9781860960550
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Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni

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Etat : Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur rev5197820657

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Various
ISBN 10 : 1860960553 ISBN 13 : 9781860960550
Ancien ou d'occasion Couverture souple

Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni

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Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. N° de réf. du vendeur rev3835396754

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Various
Edité par OUP Oxford, 2004
ISBN 10 : 1860964133 ISBN 13 : 9781860964138
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Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni

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Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A few small marks or stains to the page edges/pages . Minor shelf wear. N° de réf. du vendeur rev8385038720

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Edité par Alfred Music, 2023
ISBN 10 : 1619280477 ISBN 13 : 9781619280472
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Vendeur : Goodwill, Brooklyn Park, MN, Etats-Unis

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Etat : good. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media. N° de réf. du vendeur MINV.1619280477.G

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Ridout, Alan
Edité par OUP Oxford, 1994
ISBN 10 : 1854727702 ISBN 13 : 9781854727701
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Etat : Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur rev1938935459

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Ridout, Alan
Edité par OUP Oxford, 1994
ISBN 10 : 1854727702 ISBN 13 : 9781854727701
Ancien ou d'occasion

Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni

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Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. N° de réf. du vendeur rev7261562240

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