The Polish Officer
Langue : anglais
Edité par Random House, New York, 1995
Série : Livre 3 sur 12 - Night Soldiers
- Livre relié
- Occasion

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Ajouter au panierA propos de cet article
[6], 325, [5] pages. Alan Furst (born 1941) is an American author of historical spy novels. Furst has been called "an heir to the tradition of Eric Ambler and Graham Greene," whom he cites along with Joseph Roth and Arthur Koestler as important influences. Most of his novels since 1988 have been set just prior to or during the Second World War and he is noted for his successful evocations of Eastern European peoples and places during the period from 1933 to 1944. While attending general studies courses at Columbia University, he became acquainted with Margaret Mead, for whom he later worked. Before becoming a full-time novelist, Furst worked in advertising and wrote magazine articles, most notably for Esquire, and as a columnist for the International Herald Tribune. The year 1988 saw publication of Night Soldiers—inspired by his 1984 trip to Eastern Europe on assignment for Esquire—which invigorated his career and led to a succession of related titles. His output since 1988 includes a dozen works. He is especially noted for his successful evocations of Eastern European peoples and places during the period from 1933 to 1944. While all his historical espionage novels are loosely connected, only The World at Night and Red Gold share a common plot. Writing in The New York Times, the novelist Justin Cartwright says that Furst, "has adopted a European sensibility." Furst lived for many years in Paris, a city that he calls "the heart of civilization" which figures significantly in all his novels. September 1939 and as Warsaw falls to Hitler's Wehrmacht, Captain Alexander de Milja is recruited by the intelligence service of the Polish underground. His mission: to transport the national gold reserve to safety, hidden on a refugee train to Bucharest. Then, in the back alleys and black-market bistros of Paris, in the tenements of Warsaw, with partisan guerrillas in the frozen forests of the Ukraine, and at Calais Harbor during an attack by British bombers, de Milja fights in the war of the shadows in a world without rules, a world of danger, treachery, and betrayal. Derived from a Kirkus review: Furst has shown that he can produce an espionage tale that goes beyond the norms of the genre. This book—hugely ambitious and masterfully written—ups the ante. For starters, the author understands, with astounding breadth of vision, what WW II was all about: murderous, megalomaniacal Nazi thugs enslaving whole populations while the free world fiddled. Captain Alexander de Milja, a Polish spy, has no time to mourn his conquered nation. He's too busy trying to wreck the German war machine (or at least slow it down) and stay alive. In doing so, he ranges from Warsaw to occupied Paris, from England to frozen Russia, always on the verge of capture, shedding names, professions, and disguises as he moves. He smuggles the Polish gold reserve out of the country on a refugee train; he's an emigre Russian poet in Paris, hobnobbing for a while with Nazis before sabotaging their invasion plans for Britain; he masquerades as a coal merchant and plots to ambush a busload of Luftwaffe pilots. There's plenty of sex, with all sorts of different women, but love for de Milja occurs strictly among the ruins. Briefly solaced in Paris by a publisher's daughter (and fellow resistance member), he considers her offer to head for Switzerland, but duty compels the sad captain to accept the next suicide mission, and the couple parts. Neither master of deception nor killing machine, de Milja comes across as a lucky soldier who gets smarter, at least in the ways of war, as the book progresses. A truly splendid novel of the wartime experience.…
N° de réf. du vendeur 87453
- Titre
- The Polish Officer
- Auteur
- Furst, Alan
- Éditeur
- Random House, New York
- Année de publication
- 1995
- État de l'article
- Very good
- Jaquette
- Very good
- Reliure
- Hardcover
- Langue
- anglais
- ISBN à 10 chiffres
- 067941312X
- ISBN à 13 chiffres
- 9780679413127
- Illustrateur
- Jerry Bauer (Author photograph)
- Édition
- Second printing [stated].
- Série
- Livre 3 sur 12: Night Soldiers
- Catalogues du vendeur
- Guerrillas
« Synopsis » peut appartenir à une autre édition de cet ouvrage.
Extrait
In Poland, on the night of 11 September 1939, Wehrmacht scout and commando units–elements of Kuechler’s Third Army Corps–moved silently around the defenses of Novy Dvor, crossed the Vistula over the partly demolished Jablonka Bridge, and attempted to capture the Warsaw Telephone Exchange at the northern edge of the city. Meeting unexpected, and stubborn, resistance, they retreated along Sowacki Street and established positions on the roof and in the lobby of the Hotel Franconia, called for dive-bomber attacks on the exchange building, and settled in to wait for the light of dawn.
Mr. Felix Malek, proprietor of the Franconia, put on his best blue suit, and, accompanied by a room-service waiter, personally served cognac to the German soldiers at their mortar and machine-gun positions. He then descended to the wine cellar, opened the concealed door to an underground passage originally dug during the Prussian attack of 1795, hurried down Sowacki Street to the telephone exchange, and asked to see “the gentleman in charge.”
He was taken up a marble staircase to the director’s office on the fifth floor and there, beneath a somber portrait of the director–pince-nez and brushed whiskers–presented to the officer in command, a captain. The captain was an excellent listener, and the questions he asked inspired Mr. Malek to talk for a long time. Arms, unit size, insignia, the location of positions–he was surprised at how much he knew.
When he was done, they gave him tea. He asked if he might remain at the exchange, it would be an honor to fight the Germans. No, they said, perhaps another day. So Mr. Malek made his way through the night to his sister’s apartment in the Ochota district. “And what,” she asked, “were they like?”
Mr. Malek thought a moment. “Educated,” he said. “Quite the better class of people.”
Mr. Malek had not been thirty years an innkeeper for nothing: the defenders of the Warsaw Telephone Exchange, hastily recruited amidst the chaos of the German invasion, were officers of Polish Military Intelligence, known, in imitation of the French custom, as the Deuxième Bureau. The Breda machine gun at the casement window was served by a lieutenant from the cryptographic service, a pair of spectacles folded carefully in his breast pocket. The spidery fellow reloading ammunition belts was, in vocational life, a connoisseur of the senior civil service of the U.S.S.R., while the commander of the machine gun, feet propped on the tripod, was Lieutenant Karlinski, heavy and pink, who in normal times concerned himself with the analysis of Baltic shipping.
The officer in charge, Captain Alexander de Milja, was professionally a cartographer; first a mapmaker, later assistant director of the bureau’s Geographical Section. But Poland was at war–no, Poland had lost her war, and it was clear to the captain that nobody was going to be assistant director of anything for a long time to come.
Still, you couldn’t just stop fighting. Captain de Milja stood at the open window; the night air, cool and damp, felt especially good on his hands. Idiot! He’d grabbed the overheated barrel of the machine gun to change it during the attack, and now he had red stripes on his palms that hurt like hell.
4:20 a.m. He swept the façade of the hotel with his binoculars, tried–based on the proprietor’s intelligence–counting up floors to focus on certain rooms, but the Germans had the windows shut and all he could see was black glass. In Sowacki Square, a burned-out trolley, and the body of a Wehrmacht trooper, like a bundle of rags accidentally left in a doorway, weapon and ammunition long gone. To somebody’s attic. De Milja let the binoculars hang on their strap and stared out into the city.
A refinery had been set on fire; a tower of heavy smoke rolled majestically into the sky and the clouds glowed a faint orange. A machine gun tapped in the distance, a plane droned overhead, artillery rumbled across the river. War–fire and smoke–had made autumn come early, dead leaves rattled along the cobblestones and caught in the iron drain covers.
Captain de Milja was a soldier, he knew he didn’t have long to live. And, in truth, he didn’t care. He was not in love with life. One or two things had to be taken care of, then matters could run their course.
The director’s telephone was, naturally, of the very latest style; black, shiny, Bakelite plastic. De Milja dialed the military operator he had installed in the basement.
“Sir?”
“Sergeant, have you tried Tarnopol again?”
“Can’t get through, sir. I’ve been up to Wilno, and down to Zakopane, just about every routing there is, but the whole region’s down. We’re pretty sure the lines have been cut, sir.”
“You’ll keep trying.”
“Yes, sir.”
“Thank you, Sergeant.”
He replaced the receiver carefully on its cradle. He had wanted to say good-bye to his wife.
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