This first academic collection dedicated to popular music in Leeds - developed from the work of interdisciplinary scholars, drawn from a major public museum exhibition “Sounds of Our City” and built upon contemporary research. Leeds has rich musical histories and heritage, a long tradition of vibrant music venues, nightclubs, dance halls, pubs and other sites of musical entertainment.

The city has spawned crooners, folk singers, punks, post- punks, Goths, DJs, popstars, rappers and indie rockers, yet – with a few exceptions - Leeds has not been studied for its scenes in ways that other UK cities have. In ways that the chapters explore, Leeds’ popular music exemplifies and informs understandings of broader cultural and urban changes – both in Britain and across wider global contexts – of the social and historical significance of music as mass media; music and migration; music, racialisation and social equity; industrial decline, de-industrialisation, neoliberalism and the rise of the 24-hour city. Charting moments of stark musical politicisation and de-politicisation, while concomitantly tracing arguments about “heritagising” popular music within discussions about music’s “place” in museums and in the urban economy, this book contributes to debates about why music matters, has mattered, and continues to matter in Leeds, and beyond.

� propos des auteurs

Brett Lashua is Lecturer, Sociology of the Media and Education, University College London

Karl Spracklen is an associate professor of sociology of leisure and culture at Leeds Beckett University and a visiting professor at the University of Huddersfield. He is one of the co-founders of the International Society for Metal Music Studies (ISMMS) and the first principal editor of Metal Music Studies. He is interested in identity, social justice, subcultures, resistance and alternativity. He has written eight monographs that have had some greater or lesser impact.

Contact: School of Humanities and Social Sciences, Portland Building, Leeds Beckett University, City Campus, Leeds LS1 3HE, UK.

Kitty Ross is Curator of Leeds History and Social History, Leeds Museums and Galleries.

Paul Thompson is a professional recording engineer, educator and Reader in popular music at Leeds Beckett University. He is the author of Creativity in the Recording Studio: Alternative Takes (Palgrave MacMillan, 2019) and co-author of Paul McCartney and His Creative Practice: The Beatles and Beyond (Palgrave MacMillan, 2021) with Professor Phillip McIntyre.

Contact: Leeds School of Arts, Leeds Beckett University, Portland Way, Leeds, LS1 3BP, UK.

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