Reading Race

Aldon Nielsen

ISBN 10: 0820312738 / ISBN 13: 9780820312736

Edité par Longleaf On Behalf Of Univ Of Georgia Press Aug 1990, 1990

A propos de cet article

Neuware - Reading Race examines the work of twentieth-century white American poets from Carl Sandburg to Adrienne Rich, from Ezra Pound to Allen Ginsberg, revealing within their poetry and casual writings a body of literature that transmits racism, even as it sometimes speaks against it. Tracing the persistence of racial discourse, Aldon Nielsen argues that white Americans, throughout their history, have used a language of their own primacy, a language that treats blacks as an abstract other--an aggregate nonwhite--to be acted upon and determined by whites. White discourse drapes over blacks an intricate veil of images and understandings--assertions of inferiority; metaphors of exoticism; similes of animals; tropes of fertility, nothingness, and death--through which whites read race and beneath which blacks remain imprisoned. 'Words,' Nielsen writes, 'create and maintain relationships of power as surely as do prisons and arms.' Speaking of the discourse of race in America, Nielsen identifies 'dead metaphors'--words, images, ideas--that operate in much the same way as the 'charged detail' of Pound or the 'objective correlative' of T.S. Eliot. Embedded in the language, they are instantly recognizable to the native speaker. Poets, when they draw upon these metaphors, demand racist thinking in order to be understood.

N° de réf. du vendeur 9780820312736

Détails bibliographiques

• Titre: Reading Race
• Éditeur: Longleaf On Behalf Of Univ Of Georgia Press Aug 1990
• Date de parution: 1990
• Langue: anglais
• ISBN à 10 chiffres: 0820312738
• ISBN à 13 chiffres: 9780820312736
• Reliure: Taschenbuch
• État de l'article: Neu
• Dimensions: 229 L x 152 H x 12 P (en millimètres) 229 millimètres de largeur par 152 millimètres de hauteur par 12 millimètres de profondeur
• Poids: 243 grammes

A propos de ce titre

Synopsis

Reading Race examines the work of twentieth-century white American poets from Carl Sandburg to Adrienne Rich, from Ezra Pound to Allen Ginsberg, revealing within their poetry and casual writings a body of literature that transmits racism, even as it sometimes speaks against it. Tracing the persistence of racial discourse, Aldon Nielsen argues that white Americans, throughout their history, have used a language of their own primacy, a language that treats blacks as an abstract other—an aggregate nonwhite—to be acted upon and determined by whites. White discourse drapes over blacks an intricate veil of images and understandings—assertions of inferiority; metaphors of exoticism; similes of animals; tropes of fertility, nothingness, and death—through which whites read race and beneath which blacks remain imprisoned. "Words," Nielsen writes, "create and maintain relationships of power as surely as do prisons and arms." Speaking of the discourse of race in America, Nielsen identifies "dead metaphors"—words, images, ideas—that operate in much the same way as the "charged detail" of Pound or the "objective correlative" of T.S. Eliot. Embedded in the language, they are instantly recognizable to the native speaker. Poets, when they draw upon these metaphors, demand racist thinking in order to be understood.

À propos de l'auteur

ALDON LYNN NIELSEN is an associate professor of English at San Jose State University and the author of two books of poetry, Heat Strings and Evacuation Routes.