The Real Tudors Kings and Queens Rediscovered /anglais

COOPER TARNYA

ISBN 10: 1855144921 ISBN 13: 9781855144927
Edité par NATIONAL PORTRA, 2014
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Who were the Tudor kings and queens and what did they really look like? Mention Henry VIII and the familiar image of the rotund, bearded fellow of Hans Holbein the Youngers portraits immediately springs to mind reinforced, perhaps, by memories of a monochromatic Charles Laughton wielding a chicken leg in a fanciful biopic. With Elizabeth I its frilly ruffs, white make-up and pink lips in fact, just as she appears in a number of very well-known portraits held in the Collection of the National Portrait Gallery in London. But the familiarity of these representations has overshadowed the other images of the Tudor monarchs that were produced throughout their reigns. During the sixteenth century the market for portraits grew and so the monarchs images multiplied as countless versions and copies of their likeness were produced to satisfy demand. Taken together, these images chart both the changing iconography of the ruler and the development of portrait painting in England. In considering the context in which these portraits were made, the motivations of the sitters and the artists who made them, the purposes to which they were put, and the physical transformations and interventions they have undergone in the intervening five centuries, the authors present a compelling and illuminating investigation into the portraiture of the Tudor monarchs.

À propos de la quatrième de couverture: Who were the Tudor kings and queens and what did they really look like? Mention Henry VIII and the familiar image of the rotund, bearded fellow of Hans Holbein the Youngers portraits immediately springs to mind reinforced, perhaps, by memories of a monochromatic Charles Laughton wielding a chicken leg in a fanciful biopic. With Elizabeth I its frilly ruffs, white make-up and pink lips in fact, just as she appears in a number of very well-known portraits held in the Collection of the National Portrait Gallery in London. But the familiarity of these representations has overshadowed the other images of the Tudor monarchs that were produced throughout their reigns. During the sixteenth century the market for portraits grew and so the monarchs images multiplied as countless versions and copies of their likeness were produced to satisfy demand. Taken together, these images chart both the changing iconography of the ruler and the development of portrait painting in England. In considering the context in which these portraits were made, the motivations of the sitters and the artists who made them, the purposes to which they were put, and the physical transformations and interventions they have undergone in the intervening five centuries, the authors present a compelling and illuminating investigation into the portraiture of the Tudor monarchs.

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Titre : The Real Tudors Kings and Queens ...
Éditeur : NATIONAL PORTRA
Date d'édition : 2014
Reliure : Couverture souple
Etat : Very Good
Etat de la jaquette : 47096211
Signé : 4/10/2026 9:45:36 AM
Edition : 1775814336.

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Charlotte Bolland
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COOPER TARNYA
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Charlotte Bolland and Tarnya Cooper
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Paperback. Etat : Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality. N° de réf. du vendeur 4058587

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COOPER TARNYA
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COOPER TARNYA
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Paperback. Tarnya Cooper, National Portrait Gallery Publications. Who were the Tudor kings and queens and what did they really look like? Mention Henry VIII and the familiar image of the rotund, bearded fellow of Hans Holbein the Younger's portraits immediately springs to mind - reinforced, perhaps, by memories of a monochromatic Charles Laughton wielding a chicken leg in a fanciful biopic. With Elizabeth I it's frilly ruffs, white make-up and pink lips - in fact, just as she appears in a number of very well-known portraits held in the Collection of the National Portrait Gallery in London. But the familiarity of these representations has overshadowed the other images of the Tudor monarchs that were produced throughout their reigns. During the sixteenth century the market for portraits grew and so the monarchs' images multiplied as countless versions and copies of their likeness were produced to satisfy demand. Taken together, these images chart both the changing iconography of the ruler and the development of portrait painting in England.In considering the context in which these portraits were made, the motivations of the sitters and the artists who made them, the purposes to which they were put, and the physical transformations and interventions they have undergone in the intervening five centuries, the authors present a compelling and illuminating investigation into the portraiture of the Tudor monarchs. Paperback. N° de réf. du vendeur 9781855144927-SECONDHAND

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